La orilla del discurso: una topografía del desorden poético en las "Soledades" de Luis de Góngora.
This article provides poetry criticism for the work "Soledades," by Spanish poet Luis de Góngora. It examines the role that the image of riverbank plays in the poem, including allusions to continual redefinition, regeneration, and chaos. The author also discusses several verses in the poem and provi...
| Publicado en: | Hispanic Review Vol. 80; no. 1; pp. 41 - 62 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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University of Pennsylvania Press
Winter2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=69858837&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 69858837 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182176 HIR jtl: Hispanic Review issn: 00182176 maglogo: N pubinfo: dt: Winter2012 vid: 80 iid: 1 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 69858837 10.1353/hir.2012.0011 ppf: 41 ppct: 21 formats: fmt: @attributes: type: P size: 142KB tig: atl: La orilla del discurso: una topografía del desorden poético en las "Soledades" de Luis de Góngora. aug: au: Rodrí guez-Guridi, Elena affil: Le Moyne College su: Soledades (Poem) Góngora y Argote, Luis de, 1561-1627 Literary criticism Poetry (Literary form) Themes in poetry Riparian areas Nature in poetry sug: subj: Soledades (Poem) Góngora y Argote, Luis de, 1561-1627 Literary criticism Poetry (Literary form) Themes in poetry Riparian areas Nature in poetry ab: This article provides poetry criticism for the work "Soledades," by Spanish poet Luis de Góngora. It examines the role that the image of riverbank plays in the poem, including allusions to continual redefinition, regeneration, and chaos. The author also discusses several verses in the poem and provides analysis of the poem's imagery and themes of the known and unknown. Este estudio se centra en la imagen de la orilla en las "Soledades" de Luis de Góngora, para examinar cómo el movimiento cíclico de regeneración que la caracteriza gobierna la praxis de lectura del poema. Mediante la constante desestabilización, hibridación y superposición de los códigos semánticos, sintácticos y genéricos, las "Soledades" muestran una realidad en continuo proceso de formación y renovación. El lector, situado en el espacio liminal entre la coherencia y el caos, debe originar los procesos de significación que produzcan significado y discurso, y adquiere así, en este movimiento entre caos y orden, una percepción del artificio de toda orilla o marco conceptual que interpreta, contiene y ordena la realidad. pubtype: Academic Journal doctype: Literary Criticism src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Hispanic Review is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hispanic Review holder: University of Pennsylvania Press dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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