All the young dudes: educational capital, masculinity and the uses of popular music.
Since its emergence in the early 1970s, glam rock has been theoretically categorised as a moment in British popular culture in which essentialist ideas about male gendered identity were rendered problematic for a popular music audience. Drawing on a Bourdieusian theoretical framework, the article ar...
| Publicado en: | Popular Music Vol. 31; no. 1; pp. 25 - 45 |
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| Formato: | Artículo |
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Cambridge University Press
Jan2012
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| Acceso en línea: | Ver este registro en EBSCOhost |