A German Hero for the Cold War: Wolfgang F. Henschel's Alpha Alpha (1972).

Overlooked by critics of science fiction and historians of West German television, Wolfgang F. Henschel's series Alpha Alpha brought together elements of science fiction and the spy thriller, two genres imported largely from the U.S. that dominated the West German television landscape. Reproducing t...

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Bibliographic Details
Published in:Science Fiction Studies Vol. 39; no. 1; pp. 81 - 105
Main Author: Hantke, Steffen
Format: Article
Published: University of California Press Mar2012
Subjects:
Online Access:View this record in EBSCOhost
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        atl: A German Hero for the Cold War: Wolfgang F. Henschel's Alpha Alpha (1972).
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        au: Hantke, Steffen
        affil: American Culture Program, Sogang University, Seoul, South Korea
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        Alpha Alpha (TV program)
        Spy television programs
        Science fiction television programs
        Henschel, Wolfgang F.
        Television history, 1971-1980
        Television criticism
        Television programs
        Germany (West)
      sug:
        subj:
          Germany (West)
          Alpha Alpha (TV program)
          Spy television programs
          Science fiction television programs
          Henschel, Wolfgang F.
          Television history, 1971-1980
          Television criticism
          Television programs
      ab: Overlooked by critics of science fiction and historians of West German television, Wolfgang F. Henschel's series Alpha Alpha brought together elements of science fiction and the spy thriller, two genres imported largely from the U.S. that dominated the West German television landscape. Reproducing this hybrid genre in a national register provided writer and director Henschel with the opportunity to depart from the stereotypical settings, characters, and plot lines. Using science fiction to access and interrogate the spy thriller, Henschel attempted to transcend and challenge the rigid binaries organizing Cold War politics. The series' benign humanitarian postulate of individual ethical integrity overriding systemic technocratic and bureaucratic power makes the series symptomatic of a 1970s shift in German attitudes toward the U.S. in the wake of radical student protests against American foreign policy.
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