AHMED BASIONY: MEDIA ARTIST OR MARTYR?
The article discusses the work of the Egyptian media artist Ahmed Basiony and how it has been appropriated following his murder on January 28, 2011 during the Egyptian revolution. The author argues that Basiony's death has led to an increased interest in his work and in Egyptian media art. Following...
| Publicado en: | Afterimage Vol. 39; no. 5; pp. 8 - 11 |
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| Formato: | Artículo |
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University of California Press
Mar/Apr2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=73918988&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 73918988 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007472 ATF jtl: Afterimage issn: 03007472 maglogo: N pubinfo: dt: Mar/Apr2012 vid: 39 iid: 5 pid: 414 pub: University of California Press artinfo: ui: 73918988 10.1525/aft.2012.39.5.8 ppf: 8 ppct: 3 formats: fmt: @attributes: type: T tig: atl: AHMED BASIONY: MEDIA ARTIST OR MARTYR? aug: au: KHOLEIF, OMAR su: Basiony, Ahmed, 1979-2011 Media art Egyptian revolution, Egypt, 2011 Egyptian art Egyptian artists Biennale di Venezia El Noshokaty, Shady Egypt sug: subj: Egypt Basiony, Ahmed, 1979-2011 Media art Egyptian revolution, Egypt, 2011 Egyptian art Egyptian artists Biennale di Venezia El Noshokaty, Shady ab: The article discusses the work of the Egyptian media artist Ahmed Basiony and how it has been appropriated following his murder on January 28, 2011 during the Egyptian revolution. The author argues that Basiony's death has led to an increased interest in his work and in Egyptian media art. Following his death, the Egyptian pavilion at the Venice Biennale was dedicated to his work. Titled "Amhed Basiony: 30 Days of Running in Place," the pavilion was curated by the Egyptian artist Shady El Noshokaty. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Afterimage is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Afterimage holder: University of California Press dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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