Colonial Amnesias, Photographic Memories, and Demographic Biopolitics at the Royal Museum for Central Africa (RMCA).
This article provides readers with a biopolitical critique of the recent debates that have swirled around the renovations at the Royal Museum for Central Africa (RMCA) and the ‘Memory of Congo’ exhibits. The author argues that the RMCA has become a contested site of memory, where some older photogra...
| Publicado en: | Third World Quarterly Vol. 33; no. 3; pp. 475 - 494 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Apr2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=74574668&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 74574668 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 01436597 TWQ jtl: Third World Quarterly issn: 01436597 maglogo: Y pubinfo: dt: Apr2012 vid: 33 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 74574668 10.1080/01436597.2012.657485 ppf: 475 ppct: 19 formats: fmt: – @attributes: type: T db: hlh ui: 74574668 – @attributes: type: P db: hlh ui: 74574668 tig: atl: Colonial Amnesias, Photographic Memories, and Demographic Biopolitics at the Royal Museum for Central Africa (RMCA). aug: au: Hasian, Marouf affil: University of Utah, 255 S Central Campus Drive, Salt Lake City, UT, 84112, UK su: Congo (Democratic Republic) Biopolitics (Sociobiology) Collective memory Museums & politics History & politics History of the Congo (Democratic Republic), to 1908 Pictures sug: subj: Biopolitics (Sociobiology) Collective memory Congo (Democratic Republic) Museums & politics History & politics History of the Congo (Democratic Republic), to 1908 Pictures ab: This article provides readers with a biopolitical critique of the recent debates that have swirled around the renovations at the Royal Museum for Central Africa (RMCA) and the ‘Memory of Congo’ exhibits. The author argues that the RMCA has become a contested site of memory, where some older photographs that were once used in Congo Reform Movements have been reappropriated in (post)colonial disputes about the epistemic and demographic features of what Adam Hochschild has called the forgotten Congolese ‘holocaust’. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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