LA CELDA, EL HÁBITO Y LA EVASIÓN EPISTOLAR EN SOR JUANA INÉS DE LA CRUZ.

Focused on the visual representations of Sor Juana Inés de la Cruz, this paper reflects on the relationship between the Baroque of the Indies aesthetics and their context o production. Based on the above coordinates, it reviews the nun's work and the epistolary orientation that her poems acquire as...

Descripción completa

Detalles Bibliográficos
Publicado en:Revista Chilena de Literatura no. 81; pp. 69 - 90
Autor principal: Martínez, Luz Ángela
Formato: Artículo
Publicado: Universidad de Chile abr2012
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=74696579&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 74696579
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00487651
        2BN
      jtl: Revista Chilena de Literatura
      issn: 00487651
      maglogo: N
    pubinfo:
      dt: abr2012
      iid: 81
      pid: 30789
      pub: Universidad de Chile
    artinfo:
      ui:
        74696579
        10.4067/S0718-22952012000100004
      ppf: 69
      ppct: 21
      formats:
        fmt:
          @attributes:
            type: P
            size: 276KB
      tig:
        atl: LA CELDA, EL HÁBITO Y LA EVASIÓN EPISTOLAR EN SOR JUANA INÉS DE LA CRUZ.
      aug:
        au: Martínez, Luz Ángela
        affil: Universidad de Chile
      su:
        Juana de la Cruz, sor, 1481-1534
        Aesthetics
        Epistolary poetry
        Portraits
        Aesthetic movement (Art)
        Portrait sculpture
      sug:
        subj:
          Juana de la Cruz, sor, 1481-1534
          Aesthetics
          Epistolary poetry
          Portraits
          Aesthetic movement (Art)
          Portrait sculpture
      keyword:
        carta
        Colonial or Viceregal Poetry
        letters
        poesía virreinal
        portraits
        retratos
        Sor Juana Inés de la Cruz
        carta
        poesía virreinal
        retratos
        Sor Juana Inés de la Cruz
      ab:
        Focused on the visual representations of Sor Juana Inés de la Cruz, this paper reflects on the relationship between the Baroque of the Indies aesthetics and their context o production. Based on the above coordinates, it reviews the nun's work and the epistolary orientation that her poems acquire as a form of escape from the convent and habit.
        Centrado en las representaciones plásticas de Sor Juana Inés de la Cruz, el presente trabajo reflexiona sobre la relación entre la representación del Barroco de Indias y su contexto de producción. A partir de las anteriores coordenadas, revisa la obra de la monja y la orientación epistolar que adquieren sus poemas como forma de evasión de la celda y el hábito.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Spanish
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Revista Chilena de Literatura
      holder: Universidad de Chile, Facultad de Filosofia y Humanidades
      dt:
        @attributes:
          year: 2012
    holdings:
      @attributes:
        islocal: N