LA CELDA, EL HÁBITO Y LA EVASIÓN EPISTOLAR EN SOR JUANA INÉS DE LA CRUZ.
Focused on the visual representations of Sor Juana Inés de la Cruz, this paper reflects on the relationship between the Baroque of the Indies aesthetics and their context o production. Based on the above coordinates, it reviews the nun's work and the epistolary orientation that her poems acquire as...
| Publicado en: | Revista Chilena de Literatura no. 81; pp. 69 - 90 |
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| Autor principal: | |
| Formato: | Artículo |
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Universidad de Chile
abr2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=74696579&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 74696579 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00487651 2BN jtl: Revista Chilena de Literatura issn: 00487651 maglogo: N pubinfo: dt: abr2012 iid: 81 pid: 30789 pub: Universidad de Chile artinfo: ui: 74696579 10.4067/S0718-22952012000100004 ppf: 69 ppct: 21 formats: fmt: @attributes: type: P size: 276KB tig: atl: LA CELDA, EL HÁBITO Y LA EVASIÓN EPISTOLAR EN SOR JUANA INÉS DE LA CRUZ. aug: au: Martínez, Luz Ángela affil: Universidad de Chile su: Juana de la Cruz, sor, 1481-1534 Aesthetics Epistolary poetry Portraits Aesthetic movement (Art) Portrait sculpture sug: subj: Juana de la Cruz, sor, 1481-1534 Aesthetics Epistolary poetry Portraits Aesthetic movement (Art) Portrait sculpture keyword: carta Colonial or Viceregal Poetry letters poesía virreinal portraits retratos Sor Juana Inés de la Cruz carta poesía virreinal retratos Sor Juana Inés de la Cruz ab: Focused on the visual representations of Sor Juana Inés de la Cruz, this paper reflects on the relationship between the Baroque of the Indies aesthetics and their context o production. Based on the above coordinates, it reviews the nun's work and the epistolary orientation that her poems acquire as a form of escape from the convent and habit. Centrado en las representaciones plásticas de Sor Juana Inés de la Cruz, el presente trabajo reflexiona sobre la relación entre la representación del Barroco de Indias y su contexto de producción. A partir de las anteriores coordenadas, revisa la obra de la monja y la orientación epistolar que adquieren sus poemas como forma de evasión de la celda y el hábito. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista Chilena de Literatura holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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