Scenes of Perception and Revelation: Gender and Truth in Antidreyfusard Caricature.

Since Emile Zola's "J'accuse," the Dreyfus affair has often been conceptualized as a struggle between truth and raison d'état. In this interpretation, the antidreyfusards voluntarily cede any claim to the concept of truth in favor of arguments based in the exigencies of national security. This artic...

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Bibliographic Details

Published in:	French Historical Studies Vol. 35; no. 2; pp. 381 - 418
Main Author:	Everton, Elizabeth
Format:	Article
Published:	Duke University Press Spring2012
Subjects:	D'Ache, Caran Truthfulness & falsehood in art Dreyfus Affair, France, 1894-1906 Zola, Émile, 1840-1902 Jews in art Symbolism in art Caricature Marianne (French emblem) in art Antisemitism French Third Republic Nineteenth century France
Online Access:	View this record in EBSCOhost