Imagining Alterity and Belonging on the English Stage in an Age of Expansion: A reading of Othello.
The article investigates the relationship between the exploration of alterity and belonging on the English stage in "Othello" during the age of expansion. Even if the setting is in Venice and Cyprus, the Englishness is still evident through the use of nation-based identification such as our countrym...
| Publicado en: | Shakespeare in Southern Africa Vol. 23; pp. 21 - 30 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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Institute for the Study of English in Africa
2011
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=75043516&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 75043516 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 1011582X SHK jtl: Shakespeare in Southern Africa issn: 1011582X maglogo: N pubinfo: dt: 2011 vid: 23 pid: 1771 pub: Institute for the Study of English in Africa artinfo: ui: 75043516 10.4314/sisa.v23i1.3 ppf: 21 ppct: 9 formats: fmt: @attributes: type: P size: 860KB tig: atl: Imagining Alterity and Belonging on the English Stage in an Age of Expansion: A reading of Othello. aug: au: Young, Sandra affil: Lecturer and Co-Convenor of Postgraduate Studies, English Department, University of Cape Town su: Othello (Play : Shakespeare) Christian identity Elizabethan (Literary period) Venice (Italy) Cyprus Italy sug: subj: Venice (Italy) Cyprus Italy Othello (Play : Shakespeare) Christian identity Elizabethan (Literary period) ab: The article investigates the relationship between the exploration of alterity and belonging on the English stage in "Othello" during the age of expansion. Even if the setting is in Venice and Cyprus, the Englishness is still evident through the use of nation-based identification such as our countrymen and using Christian identity. Global Renaissance's framework offers an understanding of the growing interest with national identity and belonging as an element in global and cultural circuits. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Shakespeare in Southern Africa is the property of Institute for the Study of English in Africa and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Shakespeare in Southern Africa holder: Institute for the Study of English in Africa dt: @attributes: year: 2011 holdings: @attributes: islocal: N |
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