Sharing : Culture and the Economy in the Internet Age

In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensa...

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Autor principal: Philippe Aigrain
Formato: Libro
Publicado: Routledge 2012
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Acceso en línea:Ver este registro en EBSCOhost
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        Creation (Literary, artistic, etc.)--Social aspects
        Creation (Literary, artistic, etc.)--Economic aspects
        Computer file sharing--Social aspects
        Computer file sharing--Economic aspects
        Information society
        Intellectual property--Social aspects
        Intellectual property--Economic aspects
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          BUSINESS & ECONOMICS / Economics / General
          SOCIAL SCIENCE / Popular Culture
          Creation (Literary, artistic, etc.)--Social aspects
          Creation (Literary, artistic, etc.)--Economic aspects
          Computer file sharing--Social aspects
          Computer file sharing--Economic aspects
          Information society
          Intellectual property--Social aspects
          Intellectual property--Economic aspects
      ab: In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made towards addressing the real challenges facing culture in a digital world.Sharing is LegitimateAn in-depth exploration of digital culture and its dissemination,Sharing: Culture and the Economy in the Internet Age offers a counterpoint to the dominant view that file sharing is piracy, analyzing it rather as the modern form of long recognized rights to share in culture. Sharing starts from a radically different viewpoint, namely that the non-market sharing of digital works is both legitimate and useful. Philippe Aigrain looks at the benefits of file sharing, which allows unknown writers and artists to be appreciated more easily. It supports this premise with empirical research, demonstrating that non-market sharing leads to more diversity in the attention given to various works. New Business ModelsConcentrating not only on the cultural enrichment caused by widely shared digital media, Sharing also discusses new financing models that would allow works to be shared freely by individuals without aim at profit. Aigrain carefully balances the needs to support and reward creative activity with a suitable respect for the cultural common good and proposes a new interpretation of the digital landscape.
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