BETWEEN CODE AND MOTION: GENERATIVE AND KINETIC POETRY IN FRENCH, PORTUGUESE, AND SPANISH.
The article discusses the work of Philippe Bootz, founding member of Lecture, Art, Innovation, Recherche, Écriture (LAIRE) and theorist of programmed literature. It comments on the relationship between digital computer code and literature, addressing the materiality of the display and poetics. Other...
| Publicado en: | Romance Notes Vol. 51; no. 3; pp. 305 - 334 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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University of North Carolina Press
2011
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=77227792&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 77227792 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00357995 2CL jtl: Romance Notes issn: 00357995 maglogo: N pubinfo: dt: 2011 vid: 51 iid: 3 pid: 2027 pub: University of North Carolina Press artinfo: ui: 77227792 10.1353/rmc.2011.0038 ppf: 305 ppct: 29 formats: fmt: @attributes: type: P size: 4MB tig: atl: BETWEEN CODE AND MOTION: GENERATIVE AND KINETIC POETRY IN FRENCH, PORTUGUESE, AND SPANISH. aug: au: Portela, Manuel affil: University of Coimbra, Portugal su: Computer poetry Literature & technology Computer programming Bootz, Philippe Computational linguistics Poetics sug: subj: Computer poetry Literature & technology Computer programming Bootz, Philippe Computational linguistics Poetics ab: The article discusses the work of Philippe Bootz, founding member of Lecture, Art, Innovation, Recherche, Écriture (LAIRE) and theorist of programmed literature. It comments on the relationship between digital computer code and literature, addressing the materiality of the display and poetics. Other topics explored include programming poetry, patterns of specific writing processes, and automatic text generation. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Romance Notes is the property of University of North Carolina Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Romance Notes holder: University of North Carolina Press dt: @attributes: year: 2011 holdings: @attributes: islocal: N |
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