The nation of Irelantis:Ireland as elsewhere.
Against the backdrop of a heritage turn in the humanities enquiring how we use history in response to the needs of the present day, in a collage series called Irelantis, 1994-1999, Dublin-based artist Sean Hillen reused popular tourist postcards to recount anxieties about emigration linking the post...
| Publicado en: | Journal of European Popular Culture Vol. 1; no. 2; pp. 89 - 108 |
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| Formato: | Artículo |
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Intellect Ltd.
Dec2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=77553953&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 77553953 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20406134 90BD jtl: Journal of European Popular Culture issn: 20406134 maglogo: N pubinfo: dt: Dec2010 vid: 1 iid: 2 pid: 12270 pub: Intellect Ltd. artinfo: ui: 77553953 10.1386/jepc.1.2.89_1 ppf: 89 ppct: 19 formats: fmt: @attributes: type: P size: 656KB tig: atl: The nation of Irelantis:Ireland as elsewhere. aug: au: Way, Jennifer affil: University of North Texas su: Humanities Hillen, Sean Emigration & immigration Postcards Ireland sug: subj: Ireland Humanities Hillen, Sean Emigration & immigration Postcards keyword: emigration John Hinde modernity nation postcards Sean Hillen tourism ab: Against the backdrop of a heritage turn in the humanities enquiring how we use history in response to the needs of the present day, in a collage series called Irelantis, 1994-1999, Dublin-based artist Sean Hillen reused popular tourist postcards to recount anxieties about emigration linking the post-1949 years with the Celtic Tiger period of the mid- to late 1990s in the Republic of Ireland. This article explores the significance of the ways Hillen narrated the Ireland of Irelantis visually by positioning viewers to see it from without and providing evidence of its mobility. The article correlates these features with intellectuals' and members of the Republic's governments' concerns about national sovereignty and agency. As an example, it looks in-depth at the ways a particular collage visually representing central Dublin restages discourses of modernity and tourism in relation to Irish emigration during the post-1949 years. It then briefly considers how another scene outlines complexities of Irish emigration and immigration during the Celtic Tiger period. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of European Popular Culture is the property of Intellect Ltd. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of European Popular Culture holder: Intellect Ltd. dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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