‘JAPANESE DEVILS’.
The 2005 anti-Japan protests in China inaugurated a new era of Chinese popular nationalism with their pervasive visuality and virtuality. The outpouring of emotions in cityscapes and cyberspaces – anger, outrage, zealousness and even pleasure – requires us to take emotion, passion, hope or sheer del...
| Publicado en: | Cultural Studies Vol. 26; no. 5; pp. 710 - 723 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Sep2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=78936126&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 78936126 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09502386 05G jtl: Cultural Studies issn: 09502386 maglogo: N pubinfo: dt: Sep2012 vid: 26 iid: 5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 78936126 10.1080/09502386.2012.697728 ppf: 710 ppct: 13 formats: fmt: – @attributes: type: T – @attributes: type: P size: 88KB tig: atl: ‘JAPANESE DEVILS’. aug: au: Ching, Leo su: Anti-Japanism Chinese people China-Japan relations Attitude (Psychology) Japan China sug: subj: Japan China Anti-Japanism Chinese people China-Japan relations Attitude (Psychology) keyword: affective politics anti-Japanism Japanese devils nationalism popular culture ab: The 2005 anti-Japan protests in China inaugurated a new era of Chinese popular nationalism with their pervasive visuality and virtuality. The outpouring of emotions in cityscapes and cyberspaces – anger, outrage, zealousness and even pleasure – requires us to take emotion, passion, hope or sheer delight seriously and to recognize the power of some of the more alarming forms of popular nationalist sentimentality. This chapter analyses one instance of Sino-Japanese relations: the epithet of ‘riben guizi’ or Japanese devils in Chinese popular culture in four historical moments: late-Sinocentric imperium, high imperialism, socialist nationalism and post-socialist globalization. I want to suggest that while this ‘hate word’ performs an affective politics of recognition stemming from an ineluctable trauma of imperialist violence, it ultimately fails in establishing a politics of reconciliation. I argue that anti-Japanism in China is less about Japan than China's own self-image mediated through its asymmetrical power relations with Japan throughout its modern history. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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