Why and how tú in three plays by Calderón.
Spanish second-person pronominal forms are well known to vary according to factors such as familiarity and social status. There are few quantitative investigations of social factors contributing to this variation in seventeenth-century Spanish. This article offers a qualitative and quantitative anal...
| Publicado en: | Bulletin of Hispanic Studies (1475-3839) Vol. 89; no. 6; pp. 571 - 599 |
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| Formato: | Artículo |
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Liverpool University Press / Journals
2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=80379408&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 80379408 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14753839 01W jtl: Bulletin of Hispanic Studies (1475-3839) issn: 14753839 maglogo: N pubinfo: dt: 2012 vid: 89 iid: 6 pid: 39786 pub: Liverpool University Press / Journals artinfo: ui: 80379408 10.3828/bhs.2012.45 ppf: 571 ppct: 28 formats: fmt: @attributes: type: P size: 402KB tig: atl: Why and how tú in three plays by Calderón. aug: au: Hoffman, Michol F. affil: York University su: Pronominals (Grammar) Spanish language -- Usage Social status El Médico de su Honra (Play) El pintor de su deshonra (Play) A secreto agravio, secreta venganza (Play) Calderón de la Barca, Pedro, 1600-1681 sug: subj: Pronominals (Grammar) Spanish language -- Usage Social status El Médico de su Honra (Play) El pintor de su deshonra (Play) A secreto agravio, secreta venganza (Play) Calderón de la Barca, Pedro, 1600-1681 ab: Spanish second-person pronominal forms are well known to vary according to factors such as familiarity and social status. There are few quantitative investigations of social factors contributing to this variation in seventeenth-century Spanish. This article offers a qualitative and quantitative analysis of second-person pronominal forms in three plays by the seventeenth-century Spanish playwright, Pedro calderón de la Barca, El médico de su honra, El pintor de su deshonra and A secreto agravio, secreta venganza. A qualitative analysis shows that terms of address vary according to socio-economic class, gender and relationships between characters. A quantitative multivariate analysis explores their effect on one pronominal form, tú. Results reveal that the importance of social status is mitigated by relationships within the same family and household. Los tratamientos de segunda personal del español varían según factores como familiaridad y estatus social. Hay pocos estudios cuantitativos que investigan los factores que contribuyan a la variación en el siglo diecisiete. Este artículo ofrece un análisis cualitativo y un análisis cuantitativo de los tratamientos de segunda persona en tres obras del dramaturgo Pedro Calderón de la Barca, El médico de su honra, El pintor de su deshonra y A secreto agravio, secreta venganza. El análisis cualitativo muestra que los tratamientos varían según los factores clase socio-económica, género y relación entre personajes. El análisis cuantitativo multivariado explora sus efectos en el uso de una forma, tú. Los resultados demuestran que la importancia de estatus social es atenuada por las relaciones sociales dentro de la misma familia y casa metafórica. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Bulletin of Hispanic Studies (1475-3839) is published by Liverpool University Press, and its content may not be copied or emailed to multiple sites or posted to a listserv without Liverpool University Press's express written copyright permission. However, users may print, download, or email articles for individual use. item: Bulletin of Hispanic Studies (1475-3839) holder: Liverpool University Press / Journals dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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