Retard of progress.
This esssay intends to understand the relationships between arts (especially literature) and technologies, in our current environment characterized by intense technological saturation. Anyway, so far, there is nothing substantially new in this contrast we want to establish between arts and technolog...
| Publicado en: | Literary & Linguistic Computing Vol. 27; no. 3; pp. 293 - 305 |
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| Autor principal: | |
| Formato: | Essay |
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Oxford University Press / USA
Sep2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=80412607&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 80412607 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02681145 BJ1 jtl: Literary & Linguistic Computing issn: 02681145 maglogo: N pubinfo: dt: Sep2012 vid: 27 iid: 3 pid: 622 pub: Oxford University Press / USA artinfo: ui: 80412607 10.1093/llc/fqs032 ppf: 293 ppct: 12 formats: fmt: @attributes: type: P size: 134KB tig: atl: Retard of progress. aug: au: Luiz dos Santos, Alckmar affil: Universidade Federal de Santa Catarina, Brazil CNPq, Brazil su: Technology & the arts Arts in literature Technological innovations Aesthetics sug: subj: Technology & the arts Arts in literature Technological innovations Aesthetics ab: This esssay intends to understand the relationships between arts (especially literature) and technologies, in our current environment characterized by intense technological saturation. Anyway, so far, there is nothing substantially new in this contrast we want to establish between arts and technology: the first ones are always based on some techniques (which are mostly internal to arts) and have constantly tensioned relationships with technologies (which are mostly external to arts). And when I say tensioned relationships, it means that I am trying to understand the distances and rapprochements between arts and technology, without having to choose definitely a possibility or another, as it has often been done by artists, aesthetes, critics, and theorists. pubtype: Academic Journal doctype: Essay src: R language: English refInfo: copyright: @attributes: flag: Y custom: © 2019 EADH: The European Association for Digital Humanities. item: Literary & Linguistic Computing holder: Oxford University Press / USA dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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