Executable Images: The Enactment and Distribution of Movies in Computer Networks.
The article discusses the impact of the digitalization of media on cinema studies, arguing that computer-based motion pictures (movies) are executable software. Topics include the history of computing, the principles of computer operation, and the mediatic visual qualities of user interfaces. The vi...
| Publicado en: | Velvet Light Trap: A Critical Journal of Film & Television no. 70; pp. 49 - 59 |
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| Formato: | Artículo |
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University of Texas Press
Fall2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=80534375&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 80534375 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01491830 8I3 jtl: Velvet Light Trap: A Critical Journal of Film & Television issn: 01491830 maglogo: N pubinfo: dt: Fall2012 iid: 70 pid: 519 pub: University of Texas Press artinfo: ui: 80534375 10.7560/VLT7005 ppf: 49 ppct: 10 formats: fmt: @attributes: type: P size: 1MB tig: atl: Executable Images: The Enactment and Distribution of Movies in Computer Networks. aug: au: Gonring, Gabriel Menotti affil: University of London Catholic University of São Paulo su: Streaming video & television Digitization Film studies Computer software execution Digital video Peer-to-peer architecture (Computer networks) Internet advertising User interfaces History of computers sug: subj: Streaming video & television Digitization Film studies Computer software execution Digital video Peer-to-peer architecture (Computer networks) Internet advertising User interfaces History of computers ab: The article discusses the impact of the digitalization of media on cinema studies, arguing that computer-based motion pictures (movies) are executable software. Topics include the history of computing, the principles of computer operation, and the mediatic visual qualities of user interfaces. The video advertisement "And Then There Was Salsa" on the online video-hosting platform Vimeo is analyzed. The nature of peer-to-peer (p2p) network file sharing is considered. The author claims that digital objects are inherently fragile. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Velvet Light Trap is the property of and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. item: Velvet Light Trap: A Critical Journal of Film & Television dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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