Shakespeare's Poetic Will: The Grammar of Character and Moral Agency in the Poems.
The article examines the grammar of character and moral agency in William Shakespeare's poetry. According to the author, Shakespeare's literal description of perspectival technique is an indication of the immediacy of bodily expression as the poet reverses the habitual direction of synecdoche so tha...
| Publicado en: | Shakespeare Studies (Rosemont Publishing & Printing Corporation) Vol. 40; pp. 26 - 36 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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Rosemont Publishing & Printing Corporation
2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=82541416&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 82541416 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 05829399 SHS jtl: Shakespeare Studies (Rosemont Publishing & Printing Corporation) issn: 05829399 maglogo: N pubinfo: dt: 2012 vid: 40 pid: 1621 pub: Rosemont Publishing & Printing Corporation artinfo: ui: 82541416 ppf: 26 ppct: 10 formats: fmt: – @attributes: type: T – @attributes: type: P size: 81KB tig: atl: Shakespeare's Poetic Will: The Grammar of Character and Moral Agency in the Poems. aug: au: SCHALKWYK, DAVID affil: Director of Research, Folger Shakespeare Library su: Literary characters Shakespeare, William, 1564-1616 Poetry (Literary form) Poets Synecdoche Anger Literature Elizabethan (Literary period) 17th century (Literary period) sug: subj: Literary characters Shakespeare, William, 1564-1616 Poetry (Literary form) Poets Synecdoche Anger Literature Elizabethan (Literary period) 17th century (Literary period) ab: The article examines the grammar of character and moral agency in William Shakespeare's poetry. According to the author, Shakespeare's literal description of perspectival technique is an indication of the immediacy of bodily expression as the poet reverses the habitual direction of synecdoche so that the disembodied scalps and hands, noses and ears in "The Rape of Lucrece" become beings who respond in their rage with signs of rage. The author argues that treating literature as a representational art means being committed to the grammar of character. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Shakespeare Studies (Rosemont Publishing & Printing Corporation) is the property of Rosemont Publishing & Printing Corporation and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Shakespeare Studies (Rosemont Publishing & Printing Corporation) holder: Rosemont Publishing & Printing Corporation dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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