CRIMES AGAINST THE GRAIN.
The author discusses the practice of digitized film finishing and clean-up of old films through software and computer programs, believing that they are eliminating the natural look of film. He comments on the effects of high definition (HD) imagery on image quality, as well as notes the lack of over...
| Publicado en: | Sight & Sound Vol. 22; no. 12; pp. 72 - 74 |
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| Autor principal: | |
| Formato: | Opinion |
| Publicado: |
British Film Institute
Dec2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=83458848&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 83458848 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00374806 SIS jtl: Sight & Sound issn: 00374806 maglogo: N pubinfo: dt: Dec2012 vid: 22 iid: 12 pid: 85 pub: British Film Institute artinfo: ui: 83458848 ppf: 72 ppct: 2 formats: tig: atl: CRIMES AGAINST THE GRAIN. aug: au: Wrigley, Nick su: Motion picture industry Motion picture editing software Motion picture film stock Preservation of motion picture film High definition video recording Technological innovations sug: subj: Motion picture industry Motion picture editing software Motion picture film stock Preservation of motion picture film High definition video recording Technological innovations ab: The author discusses the practice of digitized film finishing and clean-up of old films through software and computer programs, believing that they are eliminating the natural look of film. He comments on the effects of high definition (HD) imagery on image quality, as well as notes the lack of oversight for most digital film finishers. He addresses the importance of maintaining the original intention of the film and retaining the grain of film stock. pubtype: Periodical doctype: Opinion src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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