Fitting Music Composition Studies for the 21st-Century American University.
I offer a brief assessment of the state of music composition in the United States today, with a focus on current conditions for American universities with advanced programs in music composition not linked with music conservatories. I trace my own experiences beginning with graduate studies at Columb...
| Publicado en: | Contemporary Music Review Vol. 31; no. 4; pp. 277 - 283 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
Jun2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=84221184&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 84221184 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Jun2012 vid: 31 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 84221184 10.1080/07494467.2012.726332 ppf: 277 ppct: 6 formats: fmt: – @attributes: type: T – @attributes: type: P size: 50KB tig: atl: Fitting Music Composition Studies for the 21st-Century American University. aug: au: Campion, EdmundJ. su: Musical composition Music education Universities & colleges Music conservatories Electronic music United States sug: subj: United States Musical composition Music education Universities & colleges Music conservatories Electronic music keyword: Computer Music Electronic Music Graduate Studies Music Composition New Music ab: I offer a brief assessment of the state of music composition in the United States today, with a focus on current conditions for American universities with advanced programs in music composition not linked with music conservatories. I trace my own experiences beginning with graduate studies at Columbia University in the 1980s, and leading to my role as Professor of Music Composition at the University of California, Berkeley and Co-Director at the Center for New Music and Audio Technologies. I end with a laundry list of things I have learned about music composition, what I value in teaching, how I teach, and what advice I have for emerging composers in the United States. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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