MENO APIBRĖŽTIES PROBLEMA: MORRISO WEITZO METODOLOGINIS REDUKTYVIZMAS.

The article analyzes the argument for the impossibility of the definition of art by Morris Weitz which provoked a controversy in contemporary analytic philosophy of art. The typology of its basic components -- the linguistical, the demarcational, the epistemic and the metacritical -- is given. Weitz...

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Publicado en:Problems / Problemos Vol. 82; pp. 174 - 184
Autor principal: Straukaitė, Ieva
Formato: Artículo
Publicado: Vilnius University 2012
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: MENO APIBRĖŽTIES PROBLEMA: MORRISO WEITZO METODOLOGINIS REDUKTYVIZMAS.
      aug:
        au: Straukaitė, Ieva
        affil: Vilniaus universiteto, Filosofijos istorijos ir logikos katedra, Universiteto g. 9/1, LT-01513 Vilnius
      su:
        Reductionism
        Methodology
        Weitz, Morris
        Debate
        Essentialism (Philosophy)
        Problem solving
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        subj:
          Reductionism
          Methodology
          Weitz, Morris
          Debate
          Essentialism (Philosophy)
          Problem solving
      keyword:
        analitinė meno filosofija
        analytic philosophy of art
        definition of art
        esencialistinės meno teorijos
        essentialist theories of art
        meno apibrėžtis
        Morris Weitz
        Morrisas Weitzas
        reduktyvizmas
        analitinė meno filosofija
        esencialistinės meno teorijos
        meno apibrėžtis
        Morrisas Weitzas
        reduktyvizmas
      ab:
        The article analyzes the argument for the impossibility of the definition of art by Morris Weitz which provoked a controversy in contemporary analytic philosophy of art. The typology of its basic components -- the linguistical, the demarcational, the epistemic and the metacritical -- is given. Weitz's reductionist argumentation is asserted to be insufficient for denying the possibility of the definition of art. With the aim of defending "traditional" essentialism, this thesis is grounded by displaying the basic principles of Clive Bell's and Benedetto Croce's conceptions of art. Weitz's method of "similarity conditions" is shown to be based on too broad criteria and thus to fail to solve the problem of the demarcation between art and non-art.
        Straipsnyje analizuojama šiuolaikinėje analitinėje meno filosofijoje daug diskusijų sukėlęs Morriso Weitzo bandymas įrodyti meno apibrėžties neįmanomumą. Tipologizuojami pagrindiniai šio įrodymo argumentai -- lingvistinis, demarkacinis, episteminis ir metakritinis. Tvirtinama, kad Weitzo reduktyvistiniai argumentai yra nepakankami meno apibrėžties galimybei paneigti. Ši tezė grindžiama siekiant apginti „tradicinį“ esencializmą -- atskleidžiant Clive'o Bello ir Benedetto Croce's meno sampratų pagrindinius principus. Teigiama, kad Weitzo „panašumo sąlygų“ metodas remiasi per plačiais kriterijais, todėl neišsprendžia meno ir ne-meno atskyrimo problemos.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Lithuanian
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