Authorial Death and Resurrection: Liminality, Genre and Poetic Selfhood in Elisabeth Mulder's Sinfonía en rojo (1929).
This article analyses the critically neglected poetry of the Spanish author Elisabeth Mulder, who despite writing at a time of profound experimentation in the field of poetry draws on traditional rather than avant-garde renovation. This article considers the strategies of signification in two of her...
| Publicado en: | Neophilologus Vol. 97; no. 1; pp. 97 - 116 |
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| Formato: | Artículo |
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Springer Nature
Jan2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=84370032&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 84370032 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00282677 OK9 jtl: Neophilologus issn: 00282677 maglogo: N pubinfo: dt: Jan2013 vid: 97 iid: 1 pid: 237 pub: Springer Nature artinfo: ui: 84370032 10.1007/s11061-012-9303-7 ppf: 97 ppct: 19 formats: fmt: @attributes: type: P size: 210KB tig: atl: Authorial Death and Resurrection: Liminality, Genre and Poetic Selfhood in Elisabeth Mulder's Sinfonía en rojo (1929). aug: au: McCulloch, John affil: Glasgow University, The Hetherington Building Bute Gardens G12 8RS Scotland, UK su: Mulder, Elisabeth Poetry (Literary form) Dualism Resurrection Death sug: subj: Mulder, Elisabeth Poetry (Literary form) Dualism Resurrection Death keyword: 20th century Deleuze and Guattari Modernismo Selfhood Spanish poetry ab: This article analyses the critically neglected poetry of the Spanish author Elisabeth Mulder, who despite writing at a time of profound experimentation in the field of poetry draws on traditional rather than avant-garde renovation. This article considers the strategies of signification in two of her poems from her 1929 collection Sinfonía en rojo, engaging with theoretical ideas from Deleuze and Guattari, Barthes and Burke in an attempt to understand the processes at work, and the extent to which the poetic self is moulded and shaped by discursive structures which condition the poetic voice. It is argued that the relationship between the poetic self and the structural forces of language should not be understood in terms of dualism, but that of multiplicity and possibility. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Neophilologus is a copyright of Springer, 2013. All Rights Reserved. item: Neophilologus holder: Springer Nature dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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