Colonial discourse as a Somebody Else's Problem ( SEP) field: Reading Life, the Universe and Everything as a postcolonial text.

This article acknowledges the established links between popular/science fiction and colonialism and identifies a gap in the body of knowledge; the link between science fiction and Australian colonialism. It begins by indicating how this gap affects the way we view both the colonized and the colonize...

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Bibliographic Details
Published in:Australasian Journal of Popular Culture Vol. 2; no. 2; pp. 285 - 300
Main Author: Beech, Megan
Format: Article
Published: Intellect Ltd. 2013
Subjects:
Online Access:View this record in EBSCOhost
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        atl: Colonial discourse as a Somebody Else's Problem ( SEP) field: Reading Life, the Universe and Everything as a postcolonial text.
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        au: Beech, Megan
      su:
        Literary critiques
        Science fiction
        Life, the Universe & Everything (Book)
        Adams, Douglas, 1952-2001
        Imperialism in literature
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          Literary critiques
          Science fiction
          Life, the Universe & Everything (Book)
          Adams, Douglas, 1952-2001
          Imperialism in literature
      keyword:
        Australia
        colonial discourse
        colonialism
        critical theory
        Douglas Adams
        postcolonialism
        science fiction
        stolen generations
      ab: This article acknowledges the established links between popular/science fiction and colonialism and identifies a gap in the body of knowledge; the link between science fiction and Australian colonialism. It begins by indicating how this gap affects the way we view both the colonized and the colonizer before going on to show how this blind spot can be revealed using literary analysis. The article begins with a textual analysis of Douglas Adams' Life the Universe and Everything to demonstrate how it can be read as a post colonial text, then the work of prominent cultural and critical theorists is drawn upon to demonstrate why it should be read as a postcolonial text. This is achieved by first showing that the text is clearly a reflection and explanation of the effects of, and workings behind, colonial discourse. We then go on to address the question of why it is important that this text, which is often labeled as comedic science fiction, is in fact making a poignant political comment on the effects and inner workings of colonial discourse, that it succeeds in bringing postcolonial theory into the present, appropriating the contemporary connotations of science fiction and the accessibility of popular comedy, in order to enable a wide and varied audience to become aware of their own blind spot when it comes to the subject of colonialism.
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      src: R
    language: English
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