MUSIC PUBLISHING BY SUBSCRIPTION IN 1820S FRANCE: A PRELIMINARY STUDY.
Subscription lists in six scores published in France in the 1820s open a window onto publishing and distribution practices of that era. The publishers are J. Frey of Paris, with examples of subscription lists from full scores in his complete sets of operas by Mozart and Grétry; Maurice Schlesinger,...
| Publicado en: | Notes Vol. 69; no. 3; pp. 453 - 472 |
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| Formato: | Artículo |
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Music Library Association Inc.
Mar2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=85206474&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 85206474 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00274380 TI2 jtl: Notes issn: 00274380 maglogo: N pubinfo: dt: Mar2013 vid: 69 iid: 3 pid: 1267 pub: Music Library Association Inc. artinfo: ui: 85206474 10.1353/not.2013.0001 ppf: 453 ppct: 19 formats: fmt: @attributes: type: P size: 3.8MB tig: atl: MUSIC PUBLISHING BY SUBSCRIPTION IN 1820S FRANCE: A PRELIMINARY STUDY. aug: au: BRECKBILL, ANITA affil: Director, Music Library, University of Nebraska--Lincoln su: Music publishing Publishing Music industry Subscription services France sug: subj: France Music publishing Publishing Music industry Subscription services ab: Subscription lists in six scores published in France in the 1820s open a window onto publishing and distribution practices of that era. The publishers are J. Frey of Paris, with examples of subscription lists from full scores in his complete sets of operas by Mozart and Grétry; Maurice Schlesinger, also of Paris, with a vocal score of Mozart's Requiem; and Bohem of Lille, with a vocal score of Zémire et Azor by Louis Spohr. The subscription lists contain information about the types of subscribers: male/female, musicians/nonmusicians, and Parisians/provincials/ foreigners. These examples from nineteenth-century France suggest that funding the publishing of scores through subscription had become a less viable business model than had been the case in the eighteenth century. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Notes holder: Music Library Association Inc. dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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