"Spells Out The Word of Itself, and Then Dispelling Itself": The Chaotics of Memory and The Ghost of the Novel in Jeff Noon's Falling out of Cars.

This article considers British author Jeff Noon's most recent novel Falling out of Cars (2002) as a literary experiment engaged in raising the ghost of the modern novel, long hailed as dead. Here, Noon samples canonic literature then transforms, manipulates, and reconfigures it in much the same way...

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Publicado en:Journal of the Fantastic in the Arts Vol. 23; no. 2; pp. 260 - 285
Autor principal: Wenaus, Andrew
Formato: Artículo
Publicado: International Association for the Fantastic in the Arts 2012
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: "Spells Out The Word of Itself, and Then Dispelling Itself": The Chaotics of Memory and The Ghost of the Novel in Jeff Noon's Falling out of Cars.
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        au: Wenaus, Andrew
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        Falling out of Cars (Book)
        Noon, Jeff
        British authors
        Fantasy fiction
        Story plots
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          Falling out of Cars (Book)
          Noon, Jeff
          British authors
          Fantasy fiction
          Story plots
      ab: This article considers British author Jeff Noon's most recent novel Falling out of Cars (2002) as a literary experiment engaged in raising the ghost of the modern novel, long hailed as dead. Here, Noon samples canonic literature then transforms, manipulates, and reconfigures it in much the same way a message is transformed when being passed through a communication circuit. The result is a kind of poetic prose Noon terms "metamorphiction": an elegant experimental mode of fantasy in which signs mutate within certain systemic parameters. In metamorphiction, the past haunts the present, the present haunts the past, and the possibilities of the future are haunted. This formal experiment is mirrored in the content; the novel concerns a middle-aged woman mourning the death of her daughter. Ultimately, Falling out of Cars is both a virtuosic piece of fantastic fiction and a serious meditation on the contemporary state of the novel.
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