ŽANRINIO APOKALIPSĖS KINO DEKONSTRUKCIJA KUROSAWOS „RASHOMONE”.
The paper deals with the effort to go beyond the boundaries of commercial apocalypse film. It is argued that as non-commercial apocalypse films are not based on the single formula it is impossible to find one unifying thematic base for them. Nevertheless, non-commercial apocalypse films are not unit...
| Publicado en: | Problems / Problemos Vol. 83; pp. 145 - 159 |
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| Formato: | Artículo |
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Vilnius University
2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=86260778&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 86260778 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13921126 3D4C jtl: Problems / Problemos issn: 13921126 maglogo: N pubinfo: dt: 2013 vid: 83 pid: 16037 pub: Vilnius University artinfo: ui: 86260778 10.15388/Problemos.2013.0.826 ppf: 145 ppct: 14 formats: fmt: @attributes: type: P size: 612KB tig: atl: ŽANRINIO APOKALIPSĖS KINO DEKONSTRUKCIJA KUROSAWOS „RASHOMONE”. aug: au: Milerius, Nerijus affil: Vilniaus universiteto Filosofijos katedra , Universiteto g. 9/1, LT-01513 Vilnius su: Apocalypse Investors Strategic planning Motion pictures Immortality of the soul Visions sug: subj: Apocalypse Investors Strategic planning Motion pictures Immortality of the soul Visions keyword: "Rashomon" apocalypse film Kurosawa the representation of death in film "Rashomon" „Rashomon" apocalypse film apokalipsės kinas Kurosawa mirties vaizdavimas kine the representation of death in film ab: The paper deals with the effort to go beyond the boundaries of commercial apocalypse film. It is argued that as non-commercial apocalypse films are not based on the single formula it is impossible to find one unifying thematic base for them. Nevertheless, non-commercial apocalypse films are not united not by their content, but by the effort to radicalize the cinematic visions of the apocalypse. Having radicalized the visions of the end of the world, non-commercial apocalypse film begins to function as a critical tool for the analysis of the capitalist end of the world industry.this paper shows how the commercial apocalypse film depicts death and sells immortality to a viewer. Such commercial strategy of the apocalypse film is opposed to the relation with death in Shakespeare's "Hamlet" and the Aakira Kurosawa's "Rrashomon". In the paper the parallels between a reader of "Hamlet" and a viewer of "Rrashomon" are revealed. It is argued that "Rrashomon" can be interpreted as a tool to unmask the blindness of the viewer. The analysis of "Rrashomon" leads to the notions of Slavoj Žižek and Jean Baudrillard which allow discovering the analogous blindness of the viewer in the commercial apocalypse film. Straipsnis skiriamas pastangai peržengti pramoginio apokalipsės kino ribas. Tekste konstatuojama, kad nekomerciniai apokalipsės kino kūriniai neplėtojami pagal vieną formulę, todėl neįmanoma ras¬ti juos vienijančio teminio pagrindo. Vis dėlto nekomercinį apokalipsės kiną suvienytų ne turinys, bet pati pastanga radikalizuoti kinematografines apokalipsės vizijas, kurias komercinis kinas produkuoja kaip standartinių prekių seriją. Radikalizavus pasaulio pabaigos vizijas, nekomerciniai apokalipsės kino kūriniai ima funkcionuoti kaip kapitalistinės pasaulio pabaigos industrijos kritikos įrankiai. Straipsnyje parodoma, kaip komercinis apokalipsės kinas vaizduoja mirtį ir prekiauja žiūrovo nemirtingumu. To¬kiai komercinei strategijai priešstatomas santykis į mirtį Šekspyro „Hamlete" ir Kurosawos „Rashomo-ne". Atskleidžiamos paralelės tarp „Hamleto"skaitytojo ir„Rashomono"žiūrovo. Argumentuojama, kad „Rashomonas" gali būti interpretuojamas kaip žiūrovo aklumo demaskavimo įrankis. Jo analizę pa-pildžius Žižeko ir Baudrillard'o nuostatomis, fiksuojamas žiūrovo aklumas pramoginiame apokalipsės kine. pubtype: Academic Journal doctype: Article src: R language: Lithuanian refInfo: copyright: @attributes: flag: Y custom: Copyright of Problems / Problemos is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Problems / Problemos holder: Vilnius University dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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