KAIP PABĖGTI IŠ SVETIMO SAPNO?
Dealing with the changing nature of visuality in contemporary world, this article aims to examine the possibility of producing, classifying, and implanting dreams into one's mind. Based on Deleuze's, Horkheimer's, Aadorno's, Candau's, and Zizek's views as well as a few Hollywood films, this work dia...
| Publicado en: | Problems / Problemos Vol. 83; pp. 159 - 173 |
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| Formato: | Artículo |
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Vilnius University
2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=86260779&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 86260779 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13921126 3D4C jtl: Problems / Problemos issn: 13921126 maglogo: N pubinfo: dt: 2013 vid: 83 pid: 16037 pub: Vilnius University artinfo: ui: 86260779 10.15388/Problemos.2013.0.825 ppf: 159 ppct: 14 formats: fmt: @attributes: type: P size: 591KB tig: atl: KAIP PABĖGTI IŠ SVETIMO SAPNO? aug: au: Sabolius, Kristupas affil: Vilniaus universiteto Filosofijos katedra, Universiteto g. 9/1, LT-01513 Vilnius su: Imagination Classification Public sphere Rhetorical questions Cultural industries Schematism (Philosophy) sug: subj: Imagination Classification Public sphere Rhetorical questions Cultural industries Schematism (Philosophy) keyword: dream iconorrhea imagination psichic clichés transcendental schema dream iconorrhea ikonorėja imagination psichic clichés psichinė klišė sapnas transcendental schema transcendentalinė schema vaizduotė ab: Dealing with the changing nature of visuality in contemporary world, this article aims to examine the possibility of producing, classifying, and implanting dreams into one's mind. Based on Deleuze's, Horkheimer's, Aadorno's, Candau's, and Zizek's views as well as a few Hollywood films, this work diagnoses the crucial role of cultural industries in duplicating the function of transcendental schematism, as new technologies take over Kant's transcendental imagination. These processes are implemented through a new form of visual existence -- iconorrhea, a rhythmical, repetitive and excessive flux of images, circulating on the screens of public sphere. This paper raises the rhetorical question concerning the possibility of deliverance from this situation, i.e. how can one escape the dream of the Other. Straipsnyje nagrinėjamos su vaizdo statuso pokyčiu šiuolaikiniame pasaulyje susijusios problemos. Naujųjų technologijų eroje sapnai ir svajonės gali būti produkuojami, klasifikuojami ir įdiegiami į juos patiriančią sąmonę. Remiantis Deleuze'o, Horkheimerio ir Adorno, Candau beiŽižeko darbais diagno-zuojama, kad vizualumo ir kultūros industrijų įsigalėjimas užtvindo sąmonę Kito sapnais, tokiu būdu dubliuojant jau Kanto vaizduotei priskiriamą transcendentalinio schemiškumo funkciją. Šiuos procesus įgyvendinti padeda naujoji vaizdinių veikimo forma -- ikonorėja, kuri pasireiškia kaip viešojoje erdvėje cirkuliuojantis ir ritmiškai atsikartojantis perteklinis vaizdų antplūdis. Straipsnyje keliamas retorinis klau¬simas apie galimybę išsilaisvinti iš šios situacijos -- t. y. pabėgti iš Kito sapno. pubtype: Academic Journal doctype: Article src: R language: Lithuanian refInfo: copyright: @attributes: flag: Y custom: Copyright of Problems / Problemos is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Problems / Problemos holder: Vilnius University dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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