Does War Belong in Museums? : The Representation of Violence in Exhibitions
Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the soci...
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transcript
2013
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| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=863268&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 863268 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Does War Belong in Museums? : The Representation of Violence in Exhibitions aug: au: Wolfgang Muchitsch sertl: Edition Museumsakademie Joanneum isbn: 9783837623062 9783839423066 imageinfo: pubinfo: dt: @attributes: year: 2013 month: 01 day: 01 dtAvail: @attributes: year: 2021 month: 10 day: 11 pub: transcript pubContract: Transcript Verlag place: [N.p.] price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 prePubGroup: dewey: @attributes: class: 704.9493036 item: 704 .9493036 lc: @attributes: class: N8257 .D64 2013 item: N 8257 .D64 2013 artinfo: ui: 863268 1135562666 formats: fmt: @attributes: type: EB doid: NL$863268$PDF caption: PDF download: Y tig: atl: Does War Belong in Museums? : The Representation of Violence in Exhibitions ptl: Does War Belong in Museums? aug: au: Wolfgang Muchitsch su: Violence in art--Exhibitions War in art--Exhibitions sug: subj: ART / Museum Studies HISTORY / Social History Violence in art--Exhibitions War in art--Exhibitions ab: Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate – and what images would be desirable? pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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