Aspects of Musical Research at IRCAM.
Musical research is an expression used in a variety of contexts leading to multiple meanings (and confusions) regarding this activity. In this article, three types of musical research attached to specific contexts are described; in particular, the context in which composers and scientists collaborat...
| Publicado en: | Contemporary Music Review Vol. 32; no. 1; pp. 5 - 16 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=87044471&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 87044471 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Feb2013 vid: 32 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 87044471 10.1080/07494467.2013.774123 ppf: 5 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 894KB tig: atl: Aspects of Musical Research at IRCAM. aug: au: Gerzso, Andrew su: Musicology Institut de Recherche et Coordination Acoustique/Musique (Paris, France) Information technology Scientists Information science Mediators (Persons) sug: subj: Musicology Institut de Recherche et Coordination Acoustique/Musique (Paris, France) Information technology Scientists Information science Mediators (Persons) keyword: Formalization Interaction Notation Mediation Mediators Musical Research ab: Musical research is an expression used in a variety of contexts leading to multiple meanings (and confusions) regarding this activity. In this article, three types of musical research attached to specific contexts are described; in particular, the context in which composers and scientists collaborate motivated by common concerns as is the case at IRCAM (Institut de Recherche et Coordination Acoustique / Musique). The methods—gleaned from more than two decades of activity—whereby musical research projects are defined, managed and evaluated are described while attempting to make explicit the conditions for successful research. Particular emphasis is placed on the role of mediators and technology viewed as a medium for communicating concepts. Some major challenges facing musical research in the future are also briefly sketched. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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