Jean-Luc Nancy and the Listening Subject.
This essay introduces the reader to Jean-Luc Nancy's writing on listening, by focusing on his use of two French verbs that both mean ''to listen', namely entendre and dcouter. By playing close attention to way that Nancy differentiates these verbs, and the historical context in which they have playe...
| Publicado en: | Contemporary Music Review Vol. 31; no. 5/6; pp. 439 - 448 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct-Dec2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=87435021&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 87435021 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Oct-Dec2012 vid: 31 iid: 5/6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 87435021 10.1080/07494467.2012.759413 ppf: 439 ppct: 9 formats: fmt: – @attributes: type: T – @attributes: type: P size: 518KB tig: atl: Jean-Luc Nancy and the Listening Subject. aug: au: Kane, Brian su: Listening Nancy, Jean-Luc, 1940-2021 Schaeffer, Pierre, 1910-1995 Intentionality (Philosophy) Phenomenology Subjectivity sug: subj: Listening Nancy, Jean-Luc, 1940-2021 Schaeffer, Pierre, 1910-1995 Intentionality (Philosophy) Phenomenology Subjectivity keyword: Intentionality Jean-Luc Nancy Pierre Schaeffer Signification ab: This essay introduces the reader to Jean-Luc Nancy's writing on listening, by focusing on his use of two French verbs that both mean ''to listen', namely entendre and dcouter. By playing close attention to way that Nancy differentiates these verbs, and the historical context in which they have played a role, one discovers an entryway into Nancy's challenging thinking about sound, sense, and subjectivity. Ecouter and entendre are discussed in relation to the phenomenological theories of listening of Pierre Schaeffer. Schaejfer emphasizes entendre, which is etymologically related to word intentionality, as the privileged mode of listening to the sound object, an intentional object, whose sense is grounded on the closed reference back to the listening subject. Nancy critiques this mode of listening--and the implicit subject posited--by emphasizing e'couter, which holds open the threshold between sense and signification. Listening reveals sound as a structure of resonance--an infinite sending and resending. Nancy's analyses also reveal that resonance is the structure of the subject and of sense. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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