Eloquent Silence: Akhmatova, Mandel'shtam, Early Cinema, and Modernism.

Given the conservative nature of the Acmeism movement, which placed emphasis on 'high' cultural production, it might be expected that a mechanical medium such as cinema would engender a hostile reaction. Through readings of selected early lyrics it is demonstrated that, despite a measure of suspicio...

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Publicado en:Slavonica Vol. 18; no. 2; pp. 108 - 141
Autor principal: Harrington, Alexandra
Formato: Artículo
Publicado: Taylor & Francis Ltd Oct2012
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Eloquent Silence: Akhmatova, Mandel'shtam, Early Cinema, and Modernism.
      aug:
        au: Harrington, Alexandra
        affil: Durham University
      su:
        Akhmatova, Anna Andreevna, 1889-1966
        Mandel'shtam, Osip, 1891-1938
        Chaplin, Charlie, 1889-1977
        Kinematograf (Poem)
        City Lights (Film)
        Kafka, Franz, 1883-1924
        Ia proshu i zhalosti i milosti (Poem)
        History
        Motion pictures & literature
        Acmeism
        Motion pictures in literature
        Modernism (Literature)
        20th century Russian literature
        Twentieth century
      sug:
        subj:
          History
          Motion pictures & literature
          Acmeism
          Motion pictures in literature
          Modernism (Literature)
          20th century Russian literature
          Twentieth century
          Kinematograf (Poem)
          City Lights (Film)
          Ia proshu i zhalosti i milosti (Poem)
          Akhmatova, Anna Andreevna, 1889-1966
          Mandel'shtam, Osip, 1891-1938
          Chaplin, Charlie, 1889-1977
          Kafka, Franz, 1883-1924
      keyword:
        Akhmatova
        Chaplin
        cinema
        Mandel'shtam
        poetry
        Akhmatova
        Chaplin
        cinema
        Mandel'shtam
        poetry
      ab: Given the conservative nature of the Acmeism movement, which placed emphasis on 'high' cultural production, it might be expected that a mechanical medium such as cinema would engender a hostile reaction. Through readings of selected early lyrics it is demonstrated that, despite a measure of suspicion towards cinema as a manifestation of mass culture, both Mandel'shtam and Akhmatova engaged creatively with film from the outset. Readings of later poems which invoke popular mass icon Charlie Chaplin show that 'low' and 'high' culture are now drawn into much closer proximity. Overall, the lyrics discussed serve to illuminate some of the complexities and tensions inherent to the interaction between modernist literature and the cinema, as well as providing examples of their convergence.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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