Second Life: The Ruines of Time and the Virtual Collectivities of Early Modern Complaint.

This essay reads Edmund Spenser's The Ruines of Time (1591)--an elegy for the Earls of Leicester and Warwick, Sir Philip Sidney, and Sir Francis Walsingham--as a "complaint against the times," a form of writing known for its critique of contemporary social and political conditions. By representing t...

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Publicado en:Journal for Early Modern Cultural Studies Vol. 13; no. 3; pp. 84 - 105
Autor principal: SHORTSLEF, EMILY
Formato: Essay
Publicado: University of Pennsylvania Press 2013
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Acceso en línea:Ver este registro en EBSCOhost
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        Ruines of Time, The (Poem)
        Elegiac poetry
        Spenser, Edmund, ca. 1552-1599
        Social history
        Literary form
        Leicester, Robert Dudley, Earl of, ca. 1532-1588
        Early Modern Period (Literary period)
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          Ruines of Time, The (Poem)
          Elegiac poetry
          Spenser, Edmund, ca. 1552-1599
          Social history
          Literary form
          Leicester, Robert Dudley, Earl of, ca. 1532-1588
          Early Modern Period (Literary period)
      ab: This essay reads Edmund Spenser's The Ruines of Time (1591)--an elegy for the Earls of Leicester and Warwick, Sir Philip Sidney, and Sir Francis Walsingham--as a "complaint against the times," a form of writing known for its critique of contemporary social and political conditions. By representing the poem's narrator as a solitary figure of mourning situated in a landscape of ruin, the poem articulates its central problem: that the contemporary moment, which is hostile toward the political commitments of the dead (particularly their interventionist Protestantism), renders difficult the poem's main objective--to provide its subjects with a "second life." In response to its historical situation, The Ruines of Time imagines a trans-temporal collectivity as the form in which that political project might live again within historical time--a "virtual" second life and collectivity for which the poem, as a complaint, acts as both placeholder and invocation.
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