'By Vincent van Drielenburch, member of God's Church' The Author-Function in Pamphlets during the Truce Conflicts (1609-1621).

Seventeenth-century Dutch pamphleteers rarely stated their name on the title-page of their tracts. One exception to the rule was the pamphleteer Vincent van Drielenburch. From 1615 through 1617 he wrote at least thirty-five pamphlets against the remonstrants, exposing himself to the reader by explic...

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Publicado en:Quaerendo Vol. 43; no. 1; pp. 25 - 61
Autor principal: Harms, Roeland
Formato: Artículo
Publicado: Brill Academic Publishers 2013
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: 'By Vincent van Drielenburch, member of God's Church' The Author-Function in Pamphlets during the Truce Conflicts (1609-1621).
      aug:
        au: Harms, Roeland
        affil: Utrecht University
      su:
        Van Drielenburch, Vincent
        Brandt, Marten Jansz
        Author-publisher relations
        Print culture
        Pamphlets
        Pamphleteers
        Biestkens, Nicolaes
        Remonstrants
        Anti-religious literature
        Dutch Republic, 1588-1795
        Seventeenth century
        History
      sug:
        subj:
          Van Drielenburch, Vincent
          Brandt, Marten Jansz
          Author-publisher relations
          Print culture
          Pamphlets
          Pamphleteers
          Biestkens, Nicolaes
          Remonstrants
          Anti-religious literature
          Dutch Republic, 1588-1795
          Seventeenth century
          History
      keyword:
        author-construct
        Dutch pamphlets
        Marten Jansz Brandt
        Nicolaes Biestkens
        popular print
        Truce Conflicts
        Vincent van Drielenburch
      ab: Seventeenth-century Dutch pamphleteers rarely stated their name on the title-page of their tracts. One exception to the rule was the pamphleteer Vincent van Drielenburch. From 1615 through 1617 he wrote at least thirty-five pamphlets against the remonstrants, exposing himself to the reader by explicitly stating his name, or by placing an anagram, a riddle, or an identifiable depiction on the title-page or elsewhere. In doing so, he purposely created an image of himself that enhanced the popularity of his pamphlets. The remonstrant ministers did not have an effective response to this innovative rhetorical use of the author's name, and constantly described Van Drielenburch as someone who had lost his senses. In this article I argue that it was precisely his reputation of a mad man that was exploited by the author, as well as by his publisher Marten Jansz Brandt, to create an author-construct.
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    language: English
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