Critical cosmopolitanism in the emergence of cultural modernity: reflections on discursive imagination in Hong Kong and Shanghai.
One might ask, what are the colors of cosmopolitan hybridity, and to what extent does or can the totality of representation that frames cultural discourse take on a life of its own? This paper examines the pictorial history of City Magazine (haowai) and the underlying mentalite that made it a succes...
| Publicado en: | Postcolonial Studies Vol. 16; no. 1; pp. 46 - 66 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Mar2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
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