Psychic Decolonization in 1960s Science Fiction.

This article surveys three iconic 1960s texts in order to show how popular authors appropriate Frantz Fanon's notion of "psychic decolonization" for the advantage of privileged male subjects. Robert A. Heinlein's Stranger in a Strange Land (1961), Frank Herbert's Dune (1968), and Arthur C. Clarke's...

Descripción completa

Detalles Bibliográficos
Publicado en:Science Fiction Studies Vol. 40; no. 2; pp. 228 - 246
Autor principal: Higgins, David M.
Formato: Literary Criticism
Publicado: University of California Press Jul2013
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=89371948&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 89371948
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00917729
        SFS
      jtl: Science Fiction Studies
      issn: 00917729
      maglogo: N
    pubinfo:
      dt: Jul2013
      vid: 40
      iid: 2
      pid: 414
      pub: University of California Press
    artinfo:
      ui:
        89371948
        10.5621/sciefictstud.40.2.0228
      ppf: 228
      ppct: 18
      formats:
        fmt:
          @attributes:
            type: P
            size: 1.1MB
      tig:
        atl: Psychic Decolonization in 1960s Science Fiction.
      aug:
        au: Higgins, David M.
      su:
        Decolonization
        Imperialism
        Fanon, Frantz, 1925-1961
        Postcolonialism
        Heinlein, Robert A. (Robert Anson), 1907-1988
        Psychology
      sug:
        subj:
          Decolonization
          Imperialism
          Fanon, Frantz, 1925-1961
          Postcolonialism
          Heinlein, Robert A. (Robert Anson), 1907-1988
          Psychology
      ab: This article surveys three iconic 1960s texts in order to show how popular authors appropriate Frantz Fanon's notion of "psychic decolonization" for the advantage of privileged male subjects. Robert A. Heinlein's Stranger in a Strange Land (1961), Frank Herbert's Dune (1968), and Arthur C. Clarke's novelization of 2001: A Space Odyssey (1968) each offer a superficial critique of imperial expansion and colonial occupation; despite this, however, all three portray inward psychic voyages in imperial terms, and each text replaces or augments the conquest of outer space with a central focus on the conquest of inner space. Inner space explorations offer a way of freeing the racially unmarked male subject from the repressive internal colonization of the mind; in this sense, Fanon's notion of psychic decolonization is appropriated in the service of the Western privilege it opposes in its intended context.
      pubtype: Academic Journal
      doctype: Literary Criticism
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Science Fiction Studies is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Science Fiction Studies
      holder: University of California Press
      dt:
        @attributes:
          year: 2013
    holdings:
      @attributes:
        islocal: N