Social Participation in Indonesian Media and Art: Echoes from the Past, Visions for the Future.
This article uses a critical and historical perspective to examine some of the achievements of Indonesian community media, the problems they have encountered, as well as the solutions they are offering. It analyses the similarities and differences with earlier genres with an explicit participatory a...
| Publicado en: | Journal of the Humanities & Social Sciences of Southeast Asia & Oceania / Bijdragen tot de Taal-, Land- en Volkenkunde Vol. 169; no. 1; pp. 7 - 37 |
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| Formato: | Artículo |
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Brill Academic Publishers
2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=89900647&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 89900647 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00062294 RB0 jtl: Journal of the Humanities & Social Sciences of Southeast Asia & Oceania / Bijdragen tot de Taal-, Land- en Volkenkunde issn: 00062294 maglogo: Y pubinfo: dt: 2013 vid: 169 iid: 1 pid: 639 pub: Brill Academic Publishers artinfo: ui: 89900647 10.1163/22134379-12340021 ppf: 7 ppct: 30 formats: fmt: @attributes: type: P size: 1.5MB tig: atl: Social Participation in Indonesian Media and Art: Echoes from the Past, Visions for the Future. aug: au: Jurriëns, Edwin affil: Lecturer in Indonesian Studies, Asia Institute, University of Melbourne su: Social participation Mass media & art Local mass media Indonesian literature Indonesian art Indonesia sug: subj: Indonesia Social participation Mass media & art Local mass media Indonesian literature Indonesian art keyword: Central Java community media cultural history social participation visual arts ab: This article uses a critical and historical perspective to examine some of the achievements of Indonesian community media, the problems they have encountered, as well as the solutions they are offering. It analyses the similarities and differences with earlier genres with an explicit participatory agenda, including certain forms of LEKRA literature and art of the 1950S and 1960s, 'people's theatre' since the 1970s, and 'conscientization art' since the 1980s. One of the main challenges for contemporary community media has been to reconcile class differences in the collaboration between media or art facilitators and local communities. These and other factors have affected the accessibility, distribution, sustainability and reach of their ideas, activities and outputs. The article demonstrates how facilitators and practitioners have tried to solve some of these problems through the exploration of alternative media networks, formats and content. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of the Humanities & Social Sciences of Southeast Asia & Oceania / Bijdragen tot de Taal-, Land- en Volkenkunde is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of the Humanities & Social Sciences of Southeast Asia & Oceania / Bijdragen tot de Taal-, Land- en Volkenkunde holder: Brill Academic Publishers dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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