Image is Everything: The Morkinskinna Account of King Sigurðr of Norway's Journey to the Holy Land.
This study concerns the longest account of the Norwegian King Sigurðr's journey to the Holy Land (1108-11) and its presentation in the narrative of Morkinskinna as a spectacle: a social drama wherein the key performer, using his and his entourage's deliberate behaviour, strives to manipulate both ho...
| Publicado en: | Parergon Vol. 30; no. 1; pp. 122 - 142 |
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| Formato: | Artículo |
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Australian & New Zealand Association for Medieval & Early Modern Studies
2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=90110109&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 90110109 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03136221 65HN jtl: Parergon issn: 03136221 maglogo: N pubinfo: dt: 2013 vid: 30 iid: 1 pid: 43679 pub: Australian & New Zealand Association for Medieval & Early Modern Studies artinfo: ui: 90110109 ppf: 122 ppct: 20 formats: fmt: @attributes: type: P size: 469KB tig: atl: Image is Everything: The Morkinskinna Account of King Sigurðr of Norway's Journey to the Holy Land. aug: au: Jakobsson, Ármann affil: University of Iceland su: Morkinskinna (Book) Narratives Norwegians Palestine in literature Europe sug: subj: Europe Morkinskinna (Book) Narratives Norwegians Palestine in literature ab: This study concerns the longest account of the Norwegian King Sigurðr's journey to the Holy Land (1108-11) and its presentation in the narrative of Morkinskinna as a spectacle: a social drama wherein the key performer, using his and his entourage's deliberate behaviour, strives to manipulate both how he and his kingdom are perceived by an audience of his choosing, specifically several of the other crowned heads of Europe. Furthermore, their reaction determines the identity not only of the king himself but also of Norwegians on the whole, and the audience of those narratives that bear witness to the performance. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Parergon is the property of Australian & New Zealand Association for Medieval & Early Modern Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Parergon holder: Australian & New Zealand Association for Medieval & Early Modern Studies dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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