Music Derived from Other Sources.
One imagines composed music as originating in the mind of an author. Indeed, I have for the last five decades been composing music in this fashion. However, for the last four decades I have also been repeatedly attracted to various methods of deriving music from sources both inside and outside the f...
| Publicado en: | International Journal of the Humanities Vol. 9; no. 7; pp. 135 - 147 |
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| Formato: | Artículo |
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Common Ground Research Networks
2012
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=91798219&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 91798219 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15IH jtl: International Journal of the Humanities maglogo: N pubinfo: dt: 2012 vid: 9 iid: 7 pid: 22359 pub: Common Ground Research Networks artinfo: ui: 91798219 10.18848/1447-9508/cgp/v09i07/43280 ppf: 135 ppct: 12 formats: fmt: @attributes: type: P size: 5.2MB tig: atl: Music Derived from Other Sources. aug: au: Barlow, Clarence affil: University of California Santa Barbara, California, USA su: Musical composition Authors Fashion Computer programming Linguistics Orthography & spelling Electronic records sug: subj: Musical composition Authors Fashion Computer programming Linguistics Orthography & spelling Electronic records keyword: Digital Sound Processing Field Recordings Harmonicity Image Sonification Metricity Orthography Semantics Synthrumentation ab: One imagines composed music as originating in the mind of an author. Indeed, I have for the last five decades been composing music in this fashion. However, for the last four decades I have also been repeatedly attracted to various methods of deriving music from sources both inside and outside the field. These sources have been linguistic, acoustic (field recordings), visual and mathematical (parametric formulae) as well as other works of music. For most of these operations I have resorted to strict algorithmic means and the use of computer programming. In this paper I will outline the sources mentioned above and go a little into detail in some of them. For instance the linguistic: I have used text orthography, spectral analyses of human speech, digital recordings of the human voice, and synthetic semantic structures. In the case of the visual, it was the conversion of pixellated photographs, city silhouettes, abstract films and geometric models as well as the visualization of algorithmically generated music that played a central role in the compositional plan. In other words, the paper will provide a general overview and examples. This is the first time I have covered more than one type of source in a single article. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of International Journal of the Humanities is the property of Common Ground Research Networks and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: International Journal of the Humanities holder: Common Ground Research Networks dt: @attributes: year: 2012 holdings: @attributes: islocal: N |
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