Haptic Augmentation of the Hybrid Piano.
One of the most vital feedback systems that has been embedded in musicians for centuries is that of physical response. In the same way that auditory information is available and used throughout a performance, a musician will continuously reassess their playing by making use of not only their special...
| Publicado en: | Contemporary Music Review Vol. 32; no. 5; pp. 499 - 510 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=91949170&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 91949170 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Oct2013 vid: 32 iid: 5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 91949170 10.1080/07494467.2013.849877 ppf: 499 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 113KB tig: atl: Haptic Augmentation of the Hybrid Piano. aug: au: Hayes, Lauren su: Piano Musicians Musical performance Musical instruments Sound energy Bowed stringed instruments sug: subj: Piano Musicians Musical performance Musical instruments Sound energy Bowed stringed instruments keyword: Augmented Instruments Enaction Performance Vibrotactile Feedback ab: One of the most vital feedback systems that has been embedded in musicians for centuries is that of physical response. In the same way that auditory information is available and used throughout a performance, a musician will continuously reassess their playing by making use of not only their specialised sensorimotor skills, but also the tangible feedback that is relayed to them through the body of the instrument. This paper discusses approaches to the development of an augmented instrument, namely the hybrid piano, which focuses on the notion of performance as perceptually guided action. While the acoustic component of the sound energy of the augmented instrument is created within the real-world interactions between hammers, resonating strings, and the soundboard, the digital sonic events cannot be located in a similar palpable source. By exploring notions of multimodality and haptic feedback, the ongoing processes of human action and perception within instrumental performance can be maintained for the player, whilst arguably, also enhancing the experience for the listener. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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