Reflections on Staging Sir David Lyndsay's Satire of the Three Estates at Linlithgow Palace, June 2013.
This article reflects on the discoveries gained from performing the full text of Sir David Lyndsay's A Satire of the Three Estates at Linlithgow Palace in June 2013 as part of the AHRC-funded 'Staging and Representing the Scottish Renaissance Court' project. It describes the nature and aims of the p...
| Publicado en: | Scottish Literary Review Vol. 5; no. 2; pp. 1 - 23 |
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| Formato: | Essay |
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Association for Scottish Literary Studies
Autumn/Winter2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=92507020&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 92507020 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17565634 8ZN7 jtl: Scottish Literary Review issn: 17565634 maglogo: N pubinfo: dt: Autumn/Winter2013 vid: 5 iid: 2 pid: 12655 pub: Association for Scottish Literary Studies artinfo: ui: 92507020 ppf: 1 ppct: 22 formats: fmt: @attributes: type: P size: 3.3MB tig: atl: Reflections on Staging Sir David Lyndsay's Satire of the Three Estates at Linlithgow Palace, June 2013. aug: au: WALKER, GREG affil: University of Edinburgh su: Satire of the Three Estates, A (Theatrical production) Lindsay, David, fl. 1490-1555 Theater production & direction Guthrie, Tyrone, 1900-1971 Edinburgh International Festival sug: subj: Satire of the Three Estates, A (Theatrical production) Lindsay, David, fl. 1490-1555 Theater production & direction Guthrie, Tyrone, 1900-1971 Edinburgh International Festival ab: This article reflects on the discoveries gained from performing the full text of Sir David Lyndsay's A Satire of the Three Estates at Linlithgow Palace in June 2013 as part of the AHRC-funded 'Staging and Representing the Scottish Renaissance Court' project. It describes the nature and aims of the project, and discusses the ways in which recreating the production suggests rather different conclusions about the nature of the play to those created by the seminal revival, directed by Tyrone Guthrie for the Edinburgh International Festival of 1948. By contrasting the two productions, the essay suggests ways in which staging the full text allows rather different political and dramaturgical agenda to emerge to those embraced by Guthrie's necessarily circumscribed version. In particular the role of Pauper emerges as a far more significant and radical figure, capable, like the play as a whole, of addressing contemporary issues and anxieties as powerfully in 2013 as it seems to have done in 1552 and 1554. pubtype: Academic Journal doctype: Essay src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Scottish Literary Review is the property of Association for Scottish Literary Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Scottish Literary Review holder: Association for Scottish Literary Studies dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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