Post/Humanity and the Interstitial: A Glorification of Possibility in Gibson's Bridge Sequence.
William Gibson's "All Tomorrow's Parties" (1999), a novel completing the Bridge sequence that includes "Virtual Light" (1993) and "Idoru" (1996), provides the opportunity to break a pervasive silence by critically engaging Gibson's post-"Neuromancer" fiction. This essay demonstrates that Gibson's co...
| Publicado en: | Science Fiction Studies Vol. 30; no. 1; pp. 72 - 91 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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University of California Press
Mar2003
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| Acceso en línea: | Ver este registro en EBSCOhost |