The Life and Times of Black-Ey'd Susan: The Story of an English Ballad.
John Gay's nautical ballad 'Sweet William's Farewell to Black-Ey'd Susan', published in 1719, was soon set to music by composers including Richard Leveridge, whose setting became the established version. The song remained popular, and inspired art, literature, and numerous musical arrangements and i...
| Publicado en: | Folk Music Journal Vol. 10; no. 4; pp. 432 - 449 |
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| Formato: | Artículo |
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English Folk Dance & Song Society
2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=92736644&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 92736644 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 05319684 QT9 jtl: Folk Music Journal issn: 05319684 maglogo: N pubinfo: dt: 2014 vid: 10 iid: 4 pid: 16410 pub: English Folk Dance & Song Society artinfo: ui: 92736644 ppf: 432 ppct: 17 formats: fmt: @attributes: type: P size: 9.7MB tig: atl: The Life and Times of Black-Ey'd Susan: The Story of an English Ballad. aug: au: GUSTAR, ANDREW su: Sweet William's Farewell to Black-Ey'd Susan (Poem) Leveridge, Richard Cecil Sharp Project (Music) Folk songs Gay, John, 1685-1732 Musical composition sug: subj: Sweet William's Farewell to Black-Ey'd Susan (Poem) Leveridge, Richard Cecil Sharp Project (Music) Folk songs Gay, John, 1685-1732 Musical composition ab: John Gay's nautical ballad 'Sweet William's Farewell to Black-Ey'd Susan', published in 1719, was soon set to music by composers including Richard Leveridge, whose setting became the established version. The song remained popular, and inspired art, literature, and numerous musical arrangements and interpretations, with a modified version of the original tune becoming standard from the mid-nineteenth century. Appropriated as a traditional song on both sides of the Atlantic, it was encountered, in different versions, by folk song collectors, including Cecil Sharp. It continues to appear in song collections and as part of the performed repertoire. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Folk Music Journal is the property of English Folk Dance & Song Society and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Folk Music Journal holder: English Folk Dance & Song Society dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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