Murder Most Queer : The Homicidal Homosexual in the American Theater

The “villainous homosexual” has long stalked America's cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society's understanding of homosexuality has changed, so has the significance of these controversial characters, especially when em...

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Detalles Bibliográficos
Autor principal: Jordan Schildcrout
Formato: Libro
Publicado: University of Michigan Press 2014
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Acceso en línea:Ver este registro en EBSCOhost
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      su:
        Gay theater--United States--History
        Gay people in the performing arts--United States
        Homosexuality in literature
        Gay people in literature
        Homosexuality in the theater--United States
        American drama--20th century--History and criticism
        American drama--21st century--History and criticism
        Homicide in literature
        Homophobia in literature
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          DRAMA / General
          LITERARY CRITICISM / General
          LITERARY CRITICISM / LGBTQ+
          PERFORMING ARTS / Theater / History & Criticism
          DRAMA / LGBTQ+
          Gay theater--United States--History
          Gay people in the performing arts--United States
          Homosexuality in literature
          Gay people in literature
          Homosexuality in the theater--United States
          American drama--20th century--History and criticism
          American drama--21st century--History and criticism
          Homicide in literature
          Homophobia in literature
      ab: The “villainous homosexual” has long stalked America's cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society's understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by LGBT theater artists themselves to explore darker fears and desires. Murder Most Queer examines the shifting meanings of murderous LGBT characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy. Murder Most Queer works to expose the forces that create the homophobic paradigm that imagines sexual and gender nonconformity as dangerous and destructive and to show how theater artists—and for the most part LGBT theater artists—have rewritten and radically altered the significance of the homicidal homosexual. Jordan Schildcrout argues that these figures, far from being simple reiterations of a homophobic archetype, are complex and challenging characters who enact trenchant fantasies of empowerment, replacing the shame and stigma of the abject with the defiance and freedom of the outlaw, giving voice to rage and resistance. These bold characters also probe the darker anxieties and fears that can affect queer lives and relationships. Instead of sentencing them to the prison of negative representations, this book analyzes the meanings in their acts of murder, confronting the real fears and desires condensed in those dramatic acts.
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    language: English
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