The temporality of the landscape.
Landscape and temporality are the major unifying themes of archaeology and social-cultural anthropology. This paper attempts to show how the temporality of the landscape may be understood by way of a 'dwelling perspective' that sets out from the premise of people's active, perceptual engagement in t...
| Publicado en: | World Archaeology Vol. 25; no. 2; pp. 152 - 175 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Oct93
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=9402233657&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 9402233657 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00438243 WAR jtl: World Archaeology issn: 00438243 maglogo: Y pubinfo: dt: Oct93 vid: 25 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 9402233657 10.1080/00438243.1993.9980235 ppf: 152 ppct: 23 formats: tig: atl: The temporality of the landscape. aug: au: Ingold, Tim Bradley, Richard affil: Department of Social Anthropology, University of Manchester su: Landscape assessment Spacetime sug: subj: Landscape assessment Spacetime ab: Landscape and temporality are the major unifying themes of archaeology and social-cultural anthropology. This paper attempts to show how the temporality of the landscape may be understood by way of a 'dwelling perspective' that sets out from the premise of people's active, perceptual engagement in the world. The meaning of 'landscape is clarified by contrast to the concepts of land, nature and space. The notion of 'taskscape' is introduced to denote a pattern of dwelling activities, and the intrinsic temporality of the taskscape is shown to lie in its rhythmic interrelations patterns of resonance. By considering how taskscape relates to landscape, the distinction between them is ultimately dissolved, and the landscape itself is shown to be fundamentally temporal. Some concrete illustrations of these arguments are drawn from a painting by Bruegel, The Harvesters. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 1993 holdings: @attributes: islocal: N |
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