World on a Wire: Sound as Sensual Objects.
In the mid-20th century a new conceptual paradigm rose to prominence in the sciences that captured the imaginations of the burgeoning counterculture and its most forward-thinking artists. Against the backdrop of the Cold War, a branch of systems theory called cybernetics was presented as a way to un...
| Publicado en: | Leonardo Music Journal Vol. 23; no. 1; pp. 75 - 78 |
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| Formato: | Artículo |
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MIT Press
Dec2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=94253112&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 94253112 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2013 vid: 23 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 94253112 10.1162/LMJ_a_00159 ppf: 75 ppct: 3 formats: fmt: @attributes: type: P size: 112KB tig: atl: World on a Wire: Sound as Sensual Objects. aug: au: Johnson, Chuck su: Systems theory Cybernetic art Sound art Fassbinder, Rainer Werner, 1945-1982 Vollmer, Henry Hayles, Katherine sug: subj: Systems theory Cybernetic art Sound art Fassbinder, Rainer Werner, 1945-1982 Vollmer, Henry Hayles, Katherine ab: In the mid-20th century a new conceptual paradigm rose to prominence in the sciences that captured the imaginations of the burgeoning counterculture and its most forward-thinking artists. Against the backdrop of the Cold War, a branch of systems theory called cybernetics was presented as a way to understand complex systems. Cybernetic thought has continued to exert a hegemonic, if unintended, influence in the field of experimental and technologydriven arts. The author argues that the idealistic and technoutopian character of cybernetic thought, including the holistic view of emergence, does not serve us in grave political and ecological times and suggests new ways to understand emergence in sound art that are free of the ideological baggage of cybernetic thought. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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