Digital Cultural Heritage Roadmap for Preservation.
The amount of data produced by the Cultural Heritage sector is continually increasing thanks to the numerous initiatives put in place by the cultural institutions for the digitization of their content. This process has also been accelerated by the emergence of cultural portals including regional, na...
| Publicado en: | International Journal of Humanities & Arts Computing: A Journal of Digital Humanities Vol. 8; pp. 107 - 124 |
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| Formato: | Artículo |
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Edinburgh University Press
Mar2014 Supplement
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=94343850&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 94343850 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17538548 2QD7 jtl: International Journal of Humanities & Arts Computing: A Journal of Digital Humanities issn: 17538548 maglogo: N pubinfo: dt: Mar2014 Supplement vid: 8 pid: 2327 pub: Edinburgh University Press artinfo: ui: 94343850 10.3366/ijhac.2014.0102 ppf: 107 ppct: 17 formats: fmt: @attributes: type: P size: 4.1MB tig: atl: Digital Cultural Heritage Roadmap for Preservation. aug: au: Fresa, Antonella su: Cultural property Digitization of archival materials Cultural policy Digital resources for archives Digital libraries Digital preservation International cooperation Digital humanities Computer network resources sug: subj: Cultural property Digitization of archival materials Cultural policy Digital resources for archives Digital libraries Digital preservation International cooperation Digital humanities Computer network resources keyword: archiving services authentication and authorisation services dark archive Digital cultural heritage digital cultural policy digital curation digital humanities digital preservation digitisation e-infrastructure infrastructure-as-a-service international cooperation open science roadmap ab: The amount of data produced by the Cultural Heritage sector is continually increasing thanks to the numerous initiatives put in place by the cultural institutions for the digitization of their content. This process has also been accelerated by the emergence of cultural portals including regional, national and thematic portals and the European cultural portal Europeana. The Digital Cultural Heritage (DCH) sector also has the challenge of the complexity of the information itself. This is because of the relationship that each cultural object has with the collections it is part of, with the memory institutions where it is held, with the other objects of the same nature and/or culturally connected with it, and the many other types of relationships that represent the real scientific value of the digitised cultural object (be it a book, an archival record, an artefact from a museum, a sound recording or a video). Further, the investment in the production of the digital cultural heritage data is extremely high because the description of each object requires the human intervention of experts in the sector in order to associate the necessary metadata. Automatic extraction of knowledge (metadata) from the digital representation of cultural items is still far from being at a production level. It is not yet commonly available or seamless to the cultural institutions that are engaged in the digitisation of their collections. In addition to the DCH content that derive from digitisation processes applied to the tangible heritage, also born digital cultural heritage is more and more a reality, particularly in the artistic scenario. Plastic artists are commonly using 3D modelling for their studies. Architects, writers, multimedia artists, graphic designers and almost all other artistic expressions produce data that need to be preserved for the researchers of today and for the future generations. Digital cultural data is therefore extremely precious and its preservation is more and more an imperative priority. This paper intends to discuss these matters in the light of the ongoing work carried out by the DCH-RP project () funded by the European Commission. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of International Journal of Humanities & Arts Computing: A Journal of Digital Humanities is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: International Journal of Humanities & Arts Computing: A Journal of Digital Humanities holder: Edinburgh University Press dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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