"Every Man His Own Publisher".

In the twenty-first century, the age-old dream of a universal library seems within reach at last, due to an expanding digital environment. But in fact, the publishing and reading practices we associate with Web 2.0 have some very old precedents. One such practice is Grangerization, a bibliophile hob...

Descripción completa

Detalles Bibliográficos
Publicado en:Textual Cultures: Text, Contexts, Interpretation (Indiana University Press) Vol. 8; no. 1; pp. 57 - 72
Autor principal: Dean, Gabrielle
Formato: Artículo
Publicado: Indiana University Press Spring2013
Materias:
Acceso en línea:Ver este registro en EBSCOhost
Descripción
Sumario:In the twenty-first century, the age-old dream of a universal library seems within reach at last, due to an expanding digital environment. But in fact, the publishing and reading practices we associate with Web 2.0 have some very old precedents. One such practice is Grangerization, a bibliophile hobby that originated in the late eighteenth century. In this period, and through-out the nineteenth century, private collectors inserted various forms of ephemera into their books: prints, letters, manuscripts, receipts, clippings. The books were usually rebound to accommodate the additional pages of tipped- and pasted-in material. The Grangerized or "extra-illustrated" book turned the linear text into a unique, multi-directional network of "links" to related texts, and recast the reader as the writer's collaborator.