Sonic Movements - Spatial Reflexivity.
This article aims to investigate the creation of space and sound in artistic and architectural fields, with particular emphasis on the notions of interval and duration in the production and experience of soundscapes. The discussion arises out of an ongoing research project concerning sonic structure...
| Publicado en: | Somatechnics Vol. 4; no. 1; pp. 133 - 149 |
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| Formato: | Artículo |
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Edinburgh University Press
Mar2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=94643507&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 94643507 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20440138 BDZZ jtl: Somatechnics issn: 20440138 maglogo: N pubinfo: dt: Mar2014 vid: 4 iid: 1 pid: 2327 pub: Edinburgh University Press artinfo: ui: 94643507 10.3366/soma.2014.0116 ppf: 133 ppct: 16 formats: tig: atl: Sonic Movements - Spatial Reflexivity. aug: au: Hällsten, Johanna su: Public spaces Spacetime Fourth dimension Metaphysics Philosophy sug: subj: Public spaces Spacetime Fourth dimension Metaphysics Philosophy keyword: duration Ma movement Nightingale Floors (or uguisubari) site-specific Art sound-space ab: This article aims to investigate the creation of space and sound in artistic and architectural fields, with particular emphasis on the notions of interval and duration in the production and experience of soundscapes. The discussion arises out of an ongoing research project concerning sonic structures in public places, in which Japanese uguisubari () - 'nightingale flooring', an alarm system from the Edo period) plays a key role in developing new kinds of site-specific and location-responsive sonic architectural structures for urban and rural environments. This paper takes uguisubari as its frame for investigating and evaluating how sounds create a space (however temporary), and how that sound in turn is created through movement. It thus seeks to unpick aspects of the reciprocal and performative act in which participant and the space engage through movement, whilst creating a sonic environment that permeates, defines and composes the boundaries of this space. The article will develop a framework for these kinds of works through a discussion on walking, movement, soundscape and somatechnical aspects of our experience of the world, drawing upon the work of Merleau-Ponty, Bergson and the Japanese concept of Ma (space-time). pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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