Undesirable Pen Pals, Unthinkable Houseguests: Representations of Franco-German Friendships in a Post-Liberation Trial Dossier and Suite Française.

This article explores representations of Franco-German friendship through two complementary lenses: through the post-liberation trial dossier of a female collaborationist in southwestern France, and through Dolce, the second part of Irène Némirovsky’s compelling novel, Suite Française. The primary a...

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Published in:French Politics, Culture & Society Vol. 32; no. 1; pp. 26 - 47
Main Author: Ott, Sandra
Format: Literary Criticism
Published: Berghahn Books Spring2014
Subjects:
Online Access:View this record in EBSCOhost
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      dt: Spring2014
      vid: 32
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      pub: Berghahn Books
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        atl: Undesirable Pen Pals, Unthinkable Houseguests: Representations of Franco-German Friendships in a Post-Liberation Trial Dossier and Suite Française.
      aug:
        au: Ott, Sandra
      su:
        Némirovsky, Irène, 1903-1942
        Suite Francaise (Book)
        Dolce (Book)
        Collaborationists in World War II
        Trial transcripts
        France-Germany relations
        German occupation of France, 1940-1945
        Collaborationists (Traitors)
        Status (Law)
        Fiction
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          Collaborationists in World War II
          Trial transcripts
          France-Germany relations
          German occupation of France, 1940-1945
          Collaborationists (Traitors)
          Status (Law)
          Fiction
          Suite Francaise (Book)
          Dolce (Book)
          Némirovsky, Irène, 1903-1942
      keyword:
        COLLABORATIONISM
        GERMAN OCCUPATION
        HISTORICAL ANTHROPOLOGY
        POST-LIBERATION TRIALS
        SUITE FRANÇAISE
        COLLABORATIONISM
        GERMAN OCCUPATION
        HISTORICAL ANTHROPOLOGY
        POST-LIBERATION TRIALS
        SUITE FRANÇAISE
      ab: This article explores representations of Franco-German friendship through two complementary lenses: through the post-liberation trial dossier of a female collaborationist in southwestern France, and through Dolce, the second part of Irène Némirovsky’s compelling novel, Suite Française. The primary aim is to illuminate and contrast the roles that historical and fictional narratives play in our interpretations and understanding of Franco-German relations in occupied France. The article also assesses the ethnographic value of the novelist's notes that accompanied the unfinished manuscript of Suite Française. Located at the intersections of history, ethnography, and literature, the article examines the ways in which the methods of the historian and the ethnographer, on the one hand, and the novelist, on the other, overlap and differ.
      pubtype: Academic Journal
      doctype: Literary Criticism
      src: R
    language: English
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