Cervantes y la novela moderna: Literatura experimental y realismo en el Quijote.
Don Quixote is universally regarded as an emblematic text in the history of the novel. Yet while some scholars have argued that it is a modern novel in its own right and not a romance, others have objected to this theory. When considering the extent to which Don Quixote can or cannot be regarded a m...
| Publicado en: | Cervantes Vol. 33; no. 2; pp. 145 - 173 |
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| Formato: | Artículo |
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University of Toronto Press
Fall2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=94845218&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 94845218 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02776995 1WQ2 jtl: Cervantes issn: 02776995 maglogo: N pubinfo: dt: Fall2013 vid: 33 iid: 2 pid: 678 pub: University of Toronto Press artinfo: ui: 94845218 10.3138/cervantes.33.2.145 ppf: 145 ppct: 28 formats: fmt: @attributes: type: P size: 14.9MB tig: atl: Cervantes y la novela moderna: Literatura experimental y realismo en el Quijote. aug: au: ARDILA, J. A. GARRIDO affil: UNIVERSITY OF EDINBURGH su: Don Quixote (Fictional character) Ingenious Gentleman Don Quixote of La Mancha, The (Book) Spanish fiction -- History & criticism Prose literature -- History & criticism Literary realism sug: subj: Don Quixote (Fictional character) Ingenious Gentleman Don Quixote of La Mancha, The (Book) Spanish fiction -- History & criticism Prose literature -- History & criticism Literary realism ab: Don Quixote is universally regarded as an emblematic text in the history of the novel. Yet while some scholars have argued that it is a modern novel in its own right and not a romance, others have objected to this theory. When considering the extent to which Don Quixote can or cannot be regarded a modern novel, the question of realism has dominated scholarly research. This article questions the validity of applying Auerbachs theories on realism to the study of Don Quixote. It argues that whilst realism in Don Quixote may not match the models of nineteenth-century French naturalist novelists, it does prefigure the form of realism later developed in the modernist novel. The article also reviews the textual evidence that highlights the fact that Cervantes was consciously and wilfully experimenting with the concept realism with the purpose of writing a prose fiction that departed from the romance. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Cervantes is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Cervantes holder: University of Toronto Press dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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