Stealing Kinship: Neuromancer and Artificial Intelligence.

William Gibson's Neuromancer (1984) taps into anxieties surrounding humanity's status in a world shared with artificial intelligences; in particular, Gibson asks what habits of thought might such intelligences inherit from their makers. Gibson is invested in the possibility of fostering kinship betw...

Descripción completa

Detalles Bibliográficos
Publicado en:Science Fiction Studies Vol. 41; no. 1; pp. 69 - 93
Autor principal: Gutiérrez-Jones, Carl
Formato: Literary Criticism
Publicado: University of California Press Mar2014
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=94869693&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 94869693
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00917729
        SFS
      jtl: Science Fiction Studies
      issn: 00917729
      maglogo: N
    pubinfo:
      dt: Mar2014
      vid: 41
      iid: 1
      pid: 414
      pub: University of California Press
    artinfo:
      ui:
        94869693
        10.5621/sciefictstud.41.1.0069
      ppf: 69
      ppct: 24
      formats:
        fmt:
          @attributes:
            type: P
            size: 13.9MB
      tig:
        atl: Stealing Kinship: Neuromancer and Artificial Intelligence.
      aug:
        au: Gutiérrez-Jones, Carl
      su:
        Artificial intelligence in literature
        Neuromancer (Book)
        Gibson, William, 1948-
        Human-machine relationship
        Human-computer interaction
      sug:
        subj:
          Artificial intelligence in literature
          Neuromancer (Book)
          Gibson, William, 1948-
          Human-machine relationship
          Human-computer interaction
      ab: William Gibson's Neuromancer (1984) taps into anxieties surrounding humanity's status in a world shared with artificial intelligences; in particular, Gibson asks what habits of thought might such intelligences inherit from their makers. Gibson is invested in the possibility of fostering kinship between humans and A.I.s, but he sees propensities in humanity that might well subvert this goal. From early religious beliefs through cyberspatial dreams of escaping the body, Western culture has often demonstrated disdain for fleshly existence. Gibson's self-destructive hacker, Case, provides an opportunity to rethink this disdain; counter-intuitively, his climactic suicidal crisis enables a new, embodiment-friendly kinship. Gibson's imagining of kinship also shapes the novel's formal experimentation; Neuromancer anticipates hyperlinking technology and engages readers in an emulated version so that they might participate, to some degree, in a new form of hybridized intelligence. Specifically, readers practice a hypertextual construction of meaning, building on a convergence of digital (computer) and analog (human pattern-recognition) memory. As modeled by Case, this cognitive shift requires a radical rebooting. The experience of reading the novel, however, also offers an alternative model of transformation, one of extended adaptation that would more gradually reshape cognitive habits toward the kinship Gibson envisions. Ultimately, Neuromancer modulates between these more radical and more gradual models of adaptation.
      pubtype: Academic Journal
      doctype: Literary Criticism
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Science Fiction Studies is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Science Fiction Studies
      holder: University of California Press
      dt:
        @attributes:
          year: 2014
    holdings:
      @attributes:
        islocal: N