'Who taught thee this?' Female Agency and Experiential Learning in Marlowe's Tamburlaine, The Jew of Malta, and Edward the Second.

In Christopher Marlowe's The Jew of Malta, Friar Jacomo-suspicious of her second conversion to Christianity-demands of Abigail: 'Who taught thee this?' In so doing, the Friar voices Marlowe's interest in the experiential learning patterns of his female characters. This article uses Chris Argyris and...

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Publicado en:Journal of Language, Literature & Culture Vol. 60; no. 3; pp. 157 - 178
Autor principal: Hansen, Claire
Formato: Literary Criticism
Publicado: Taylor & Francis Ltd Dec2013
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: 'Who taught thee this?' Female Agency and Experiential Learning in Marlowe's Tamburlaine, The Jew of Malta, and Edward the Second.
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        au: Hansen, Claire
        affil: University of Sydney
      su:
        Marlowe, Christopher, 1564-1593
        Feminist literary criticism
        Tamburlaine the Great (Play : Marlowe)
        Jew of Malta, The (Play : Marlowe)
        Edward II (Play : Marlowe)
        Literary characters
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          Marlowe, Christopher, 1564-1593
          Feminist literary criticism
          Tamburlaine the Great (Play : Marlowe)
          Jew of Malta, The (Play : Marlowe)
          Edward II (Play : Marlowe)
          Literary characters
      keyword:
        Christopher Marlowe
        double-loop learning
        Edward II
        female agency
        feminist literary criticism
        organizational management theory
        Tamburlaine
        The Jew of Malta
      ab: In Christopher Marlowe's The Jew of Malta, Friar Jacomo-suspicious of her second conversion to Christianity-demands of Abigail: 'Who taught thee this?' In so doing, the Friar voices Marlowe's interest in the experiential learning patterns of his female characters. This article uses Chris Argyris and Donald A. Schön's learning theories to examine patterns of female learning and agency within the patriarchal power structures of Marlowe's Tamburlaine I and II, The Jew of Malta, and Edward the Second. This unorthodox application aims to rectify the lack of attention given to Marlowe's female characters and to generate insights into the learning patterns and choices of the 'divine' Zenocrate, 'compliant' Abigail, and 'dissembling' Isabella. The learning theories applied provide a rich and unique language for unfolding the idiosyncratic experiential learning patterns of Marlowe's women, and reveal Marlowe's interest in how his female characters negotiate their environments and learn from their experiences.
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      doctype: Literary Criticism
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    language: English
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